Featuring an S/P DIF optical digital output and MIDI IN and OUT connectors, ToneLab LE offers you plenty of potential and numerous options to expand your system.
ToneLab LE
Reviewed by:
marvelboy_04, on august 07, 2007 3 of 3 people found this review helpful
Price paid: $ 399.99
Purchased from: SamAsh
Ease of Use: This is a very straight-forward unit considering it's a multi-effects processor. A lot more so than the Digitechs and Pods I've played. It has a very good overall sound, and the valve reactor technology is to me the way to go for modeling in my book. Also, the factory presets are actually decent, but if you don't like them, it's relatively easy and straight-forward to edit them, or create new ones. Also, this is not much of a metal pedal. I'd say if you were going to play heavier metal, I might would suggest the PODXT Live. // 10
Sound: I play this with my Epiphone Les Paul Standard, and when I play at home, I plug through my original 68 Fender Princeton which is good for that since it's class A, single channel, etc. I mainly got this though so I don't have to carry my amp with me when I play at church. So in there I just plug straight through the PA system. Even then, it still sounds great, and it's very easy to switch presets/effects while playing live. // 9
Reliability & Durability: This unit is mainly just hard metal, and is built like a tank. I would not mind a little more sturdier feeling knobs though. I of course would use it without a backup though. And I really feel like I can depend on this unit, as it's quite a sturdy pedal. I would suggest a padded bag though. When I got mine, I mentioned something to the sales guy about how much I'd be carrying it around, so he threw in a Vox VC-12 foot controller bag, so it's a little big, but has a good place to store cables, the power supply, etc. // 10
Impression: Overall, I highly recommend this unit to most any non heavy metal guitar player who wants fat, more tube like tone in an easy to carry unit. Again, if you are a metal player, the PODXT Live might be a better choice. For example, I know a guy who's an amazing player who plays an XT Live, and can get great heavier based tones, this is probably mainly due to the fact he's an incredible player though. I compared this unit to the DigiTech GNX series, and the PODXT Live. I almost got the POD, but I already had a Valvetronix amp, so I felt more used to it, plus it seems easier to use. If it were stolen, I'd really hope my extra warranty I got would cover it, but if not, I probably would'nt have the cash for another, but if I did, I would likely get this unit again. // 10
ToneLab LE
Reviewed by:
Ditto100, on june 22, 2009 0 of 0 people found this review helpful
Price paid: $ 399.99
Purchased from: Showtime Music
Ease of Use: This product is very easy to use, even for us beginners.it's operation manuel is very clear and precise to understand.it's ability to adjust and program is easy and first rate. Its factory settings are very good and can be manipulated to make some very appealing tones and distortions. // 9
Sound: I am using it with a Fender amp. With it's 16 amp selections one can use any style amp with this product and or a PA system or a mixer or recorder. It also has a headphone jack for a little privacy. The distortion is very good, and the affects are strong and sound great.I am still learning, but so far the sound and affects are first rate. // 9
Reliability & Durability: Uncertain of it's lifetime, but if it holds up as well as it is put together, it should last my lifetime anyway. It's very sturdy and appears well manufactured. It has tubes (valves to the brits)it's output of sound is very remarkable. I had an experianced guitar player, use it for a few hours, they took great advantage of it's tones and effects and distortions, they were well pleased with it's abilities, and they were a little envious.So with that said it's a Great product. Maybe better out there, but for it's price and it's settings, I don't think it can be beat for now. // 9
Impression: I play Blues, country, christian, gospel, a little old style rock, I have only been playing for a couple years now I think, not a bundle of experiance.If it was stolen I guess it would take awhile to be able to purchase another, but so far I would purchase this agian. I enjoy all the features so far, it has vast programing so I have only begun to scratch it's surface, who knows what this is able to do as I gain better knowledge and ability with it. Well the one thing I wish I had was greater experiance playing, but that will come with time, what short time I have remaining. I'll play on! // 9
ToneLab LE
Reviewed by:
MinstrelCycle85, on march 20, 2009 0 of 0 people found this review helpful
Price paid: $ 400.00
Purchased from: Local Dealer
Ease of Use: It's very simple to dial in a "tone" when you turn a knob to an effect/amp/cab/modulation/delay, the parameters for the patch are alterable by designated knobs on the bottom half of the board. It's possible to take a setting and move it to a different bank, and also duplicate it. This is only slightly less simple. You can also change the line-in settings, and a variety of other settings no one ever messes with. If using the knobs isn't precise enough for a parameter, there are digital buttons that can dial it in directly. The manual is straight forward, but so is the Machine. You'll probably overlook the manual for a few months.
My main gripe about ease of use would be that the expression pedal is somewhat stiff. But. That could also be useful. // 7
Sound: I play an Ibanez prestige S-1520NT, with a Bill Lawrence XL-500 Bridge pickup in the neck position, and a Kramer Quad-rail knock off in the bridge position. I play that through this unit, into a digital power amp for a movie theater surround-sound system, with JBL studio monitors for speakers. If you own a tube-amp, be warned that the amp models shouldn't be run through your dirty channel, only the clean... And even then you'll have to use the main volume to ensure you don't end your hearing-stuff-career. My bridge pickup's insanely hot, so I definitely don't have any issues with it not being "heavy enough." The higher gain amps sound pretty decent, they sound convincingly tube-like. My friends with tube amps seemed to be surprised/somewhat pleased with it's performance.
The wah gate parameters aren't wide enough, and the pedal is stiff to boot. If you're a big wah fan, you better have a back-up plan for that. The pitch bender effect is pretty high standard, no delay issues, or envelope distortion. The pitch bend actually works pretty well with the stiff expression pedal. Many other effects on it, to me, are archaic and overused. I'm not a Vintage kind of guy. I like new stuff that isn't worn out. So, in a way this thing's not super-useful to me. I could work with less. However, I bought it when I was a beginner guitarist, and it did well for me to study the classic effects. It can mimic a lot of artists, but you're guitar will be the main determining factor. i.e., I can't emulate Keith Richards on it. Cause he plays a lame ass single-coil-laden Fender, and I play a guitar that has massive, terrifying testicles. // 9
Reliability & Durability: It is very durable, I doubt that it will be breaking anytime soon. The knobs can get turned by your guitar cables if you're not careful. Not a real big deal. I would use it on a gig without a backup. It's not valueable enough to me to leave behind, and I just don't see it getting damaged, even if I just carried in there without a case, lol. // 9
Impression: I play metal, mostly, but I play classical guitar-type things as well quite often. I dabble in various other styles, but those are my forte. It's a good enough match for me to be satisfied, but it's lacking elements I'd like to have, such as; The ability to have a clean channel that's smooth, but distorted enough to sustain and be saturated whilst clipped. I'd also like some of the features of the Line 6 X3 Live, such as; an 1/8th inch input jack for play along (for my IPod and other 1/8th inch instruments of noise), 2 1/4th inch input jacks (it does have stereo-out), A more diverse set of amp models(ie, instead of just putting popular amp models on it, why not just but a diverse variety), the ability to program the effects loop bias and topography in any order I want, including redundant effects (example: running the flanger through the flanger, or running the chorus before the metal distortion or vice versa)
I do like the saturation of frequencies, and I also like the rougher sounding metal distortion than most digital distortions. But I'd also like a choice. However, if it were lost or stolen, I'm pretty sure I wouldn't bother with replacing it now... That's debatable though, cause I've played through a lot of others, and they suck a lot worse. I haven't played through a Line 6 X3 Live, but based on the design and specs, I think I'd enjoy it more. But the lack of an actual valve, might make it a little weak sounding. Possibly. // 7
This isn't very helpful, you haven't really said what you can do with it, in fact, all you've said is that it's built like a tank and sounds 'good'.
man, its a multi effects processor. what cant you do with it? i will say though, you can get a great acdc highway to hell-ish tone with the plexi model with the treble booster effect. also, the boutique od model is gopod to get a sweet child o mine or EVH tone.
I just bought a tonelab le about 2 months ago and am completely in love with it. It has every effect imaginable and some that I've never heard before. The amp models are the closest models I've heard yet, and the learning curve isn't so steep (I was tweaking everything in one night, and had an indepth knowledge by the end of the first week). The only gripe I have with it is that the expression pedal feels a little funny. Maybe its just me?
do u think it's worth the $400 because i have a vox ad50 amp with most of the effects but i really like the way this pedal sounds from your review. So do u think it has all the gadgets to make it worth while or should i just buy chorus, reverb, delay, etc pedals?????
I recently heard it and it changed my mind about thinking of buying a line 6 POD XT Live or a zoom pedal. fell in love with the sound. i`m trying to get one!
do u think it's worth the $400 because i have a vox ad50 amp with most of the effects but i really like the way this pedal sounds from your review. So do u think it has all the gadgets to make it worth while or should i just buy chorus, reverb, delay, etc pedals?????
Just watch the video on the Vox website... It's cool... I like this one better than the SE. I Dun like Blue on mmhy stage.
Will this work for the AD50VT amp? It doesn't have an effect loop and some day I'd hate to waste $400 on this baby but I would love to have this in my arsenal.
I have been thinking about this unit as a multi effect unit. I am so old school i still use different stomp boxes for different sounds. Looking to make things easier and program all sounds into some presets. I use a 59 Bassman 4x10 tube amp with no effects loop. Will this unit sound good through this amp setup or does it need to be placed in a effects loop. Let me know.
It sounds more "authentic" than the Boss GTs and PODs, for less money. So there you have it. I love it.
Also, many people in various reviews say how you can't get a good metal tone out of it. They must be talking about some other Tonelab LE from a parallel universe, because I could get great Metallica/Opeth tones with some tweaking around.
Of course, as with many of these units, the factory presets mostly suck mexican sticky balls and say nothing about the potential of the unit.
Never rely on factory presets to judge a multieffects unit.
Hey~ do you guys think buy this one is better?? or buy Korg AX3000g is better???
Hi, my first post... I used the AX3000G and found it to be a pain in the arse, just couldn't get on with the sound when playing live. I then moved back to my AX1000G which I thought was better.
I'm now going to work abroad where I have to plug straight into a mixing desk so have sold the AX1000G and bought a Tonelab LE. The amp simulation (with Valve Reactor) is fantastic. Better tone and sustain and I would spend my money on one of these rather than the AX3000G. They're about twice as much money in the UK but worth it.
Was thinking of wither this or the Boss ME-70 for convenient home use. I'm thinking that this is probably the better unit, overall.
Shame about the second reviewer - MinstrelCycle85
I can't emulate Keith Richards on it. Cause he plays a lame ass single-coil-laden Fender, and I play a guitar that has massive, terrifying testicles. //
Irrelevant and disrespectful. I don't care whether you can or can't get a Keef tone from the thing - I want to know about it's versatility.
My question is about the three menu options that come up as a result of holding one of three arrows and the rename button while powering up the tonelab. One is for volume pedal bias, one is for tube bias (for these you have to unplug everything but the power) and use the screws located on the back. Volume is the screw closest to the power button and the screw furthest from the power is to bias the tube. Biasing the tube will instantly make the tonelab le sing for you. The other is unknown but it changes the entire tonal make-up of the unit. It has a digital read out of 61 - 67. I believe this changes the class of the entire unit. Looks like rectifier, duel rectifier, class a, class ab ect... Any input would be great.
This is bar none the best sounding amp simulation and effects pedal I've ever had-- and I've had nearly everything. You can tweak the settings that really need tweaking (like delay tone) unlike other pedals with a million digital sounding effects and simulations. This doesn't have a million effects- but the ones it has sound fantastic. I've tried other Tonelab units- but this is by far the best. You can get this on ebay for under $200 these days-- well worth it. You can't even get one decent boutique effects pedal for that. The pedal emulations are VERY VERY good-- the amp simulations are fantastic and sound like an amp in a room. The digital output is quiet as can be. I hightly recommend this over anything else. Neil Slade, lifetime pro musician. http://www.neilslade.comhttp://www.neilslade.com
when i first bought it 3 years ago i wanted to throw it away,a few months later i realised that i cant play without it. if you get 1 of those spend some time with it and i dont think you will stay unsatisfied
This is my honest review of the LE.
I have this and it's everything I need, and I've used the Tonelab ST (which is strictly for home practice imho not as good tone wise, and the things you can do with the st are limited), my friend's Line 6 (which is honestly almost as good as this, but sounded a bit digital to the trained ear) and BOSS effects (which isn't up to par tone wise)
I use this for practice and playing live and it never failed me. The master volume control at the back is also a big plus as i dont have to reset my settings if my sound on the sound system is too loud or too soft.
The tone that comes out of this baby is sick, very authentic. But I would recommend Line 6 if you're a metalhead. I can get most of the tones I want and I play all genres, and my friend who's a metal head was very impressed with my metal tone settings. I can get fuzzy blues sounds, to a bright clean sound, a heavily distorted metal tone, a punchy overdriven sound, to a recently discovered synth sound (after messing around with the tone knobs, reverb and modulation)
Shame the effects you can mix are limited, it would be cool if you can mix effects from the same knob like say, 2 delays on top of each other. Or Wah with overdrive. Most of the pre amps are great. Some of the high gain amps not so, for me.
The foot pedal is also top of the class. I tried using this with a fender strat, tele and ibanez rg. All sounded great. I would NOT recommend using this with modeller amps like the Vox VT series. I can spend the whole day playing with this unit.
Looks good!