Four Rare Pink Floyd Live Recordings You Need to Check Out

Shine On You Crazy Bootlegs…

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Four Rare Pink Floyd Live Recordings You Need to Check Out
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Following the news that Pink Floyd’s Roger Waters is due to release a long-awaited new solo album this year, we’ve been delving into our Pink Floyd bootleg collection to relive some of our favorite live moments from the band. In this article, we’ve collected four of the best; three classic audio recordings and one live video that prove – as if any affirmation was needed – that the Floyd were one of the greatest live acts of all time. So carve out some time, make sure you’re sitting comfortably (numb) and check out these awesome echoes of the band in their heyday.

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Rainbow Theater, Finsbury Park, London, 20th February 1972

Pink Floyd’s Dark Side of the Moon (UG Score 9.8) may be an iconic album, but it was originally a different beast from the version we got on vinyl. Before hitting the studio, the Floyd toured an embryonic version of the album in 1972, featuring different arrangements of classic tracks as well as songs that would never make it onto the album (the funky sounding “Mortality Sequence” replaces “On The Run” for example). This excellent quality audience recording from London’s Rainbow Theater in 1972 is a fascinating insight into what could have been.

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Los Angeles, California, 26th April 1975

This one – taken from the band’s 1975 tour supporting Wish You Where Here – is a legend amongst bootleg collectors for two reasons. Firstly, there’s its track list. Featuring most of the WYWH album, a full run through of Dark Side and a mammoth closer of Echoes, it is perhaps most intriguing for its two opening songs. “Raving and Drooling” and “You’ve Gotta Be Crazy” are early - and markedly different versions of “Sheep” and “Dogs” from the then-unreleased “Animals” album. Secondly, legendary bootlegger Mike Millard made this recording and the sound quality is absolutely phenomenal with a you-could-hear-a-pin-drop audio fidelity that belies its bootleg status. Essential listening.

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Oakland Coliseum, California, 9th May 1977

Another excellent quality audience recording, this time taken from the band’s 1977 tour supporting Animals. This bootleg is notable for featuring an absolutely inspired performance from the band. Everyone is on top form, the musicianship incendiary throughout, with Roger Waters’ vocals during the Animals run-through full of rage and bile that is entirely appropriate to the grim subject matter. Top that off with the rare encore of “Careful With That Axe, Eugene” – the last time the band would ever play the song in concert – and you’ve got an absolute classic of a bootleg that cries out for repeated listens.

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Earl’s Court, London, 1980

Pink Floyd filmed their run of Wall shows at Earl’s Court in London in 1980, intending for the footage to be used in the planned Wall movie. However, for various reasons, the band ultimately nixed the idea, going for a full-on fictional narrative instead. The footage that remains is fairly generated and pretty dark in places, but it nonetheless provides fascinating insight into how exactly that legendary run of shows went down. Roger Water has since said that he’s discovered a load of 35mm footage from the tour that he intends to release as a concert movie at some point. But, until that comes out, this is the best visual document of that tour we have to go on.

18 comments sorted by best / new / date

    primus182
     Unfortunately Roger will not play the songs of Meedle or AHM on his next world tour. He will continue to play again and again Money or Wish you were here while he could play Echoes or dust off some pre DSOTM songs !!   
    Anjohl
    People need to get over DSOTM and The Wall. They're alright for what they are, but the best stuff is well before that, Meddle, Ummagumma, Live at Pompeii, Atom Heart Mother, etc! Who the hell wants to listen to "money" or "have a cigar" again?!
    Dynamight
    Or we could, you know, listen to whatever the fuck we like listening to.
    Anjohl
    The point is, you *don't* like it, you've just been made to think you do.
    Dynamight
    Although I'm now convinced you're trolling, I'm just gonna say: there's no tangible difference between liking something and thinking you like something.
    ErnestoFidel
    I probably don't like Bach either, I have been brainwashed and programmed by patriarchy, freemasons and music television that just won't stop propagating Bach.
    farzan_20
    The good thing about this band is that they have a vast variety of sounds and lyrics.so everyone can pick what they like...in my opinion that's why Pink Floyd can not be remembered only by one album but all the things that they made even every live albums.
    Metal_Man666
    Alright? Dark Side of the Moon is one of the greatest albums if not the greatest album of all time. The Wall is no slouch either. Get off the crack. Get over them? Really man? Ummagumma, Atom Heart Mother, and Meddle as a whole are not better than DSOTM. Live at Pompeii is amazing ill admit that. However its a live as is Ummagumma. 
    hak_hap
    They are my favorite band and I listened to Live at Pompeii and Ummagumma the most, but when I rank my generally favorite albums ever it is DSoT and The Wall who are in the top ten (even though Echoes is my favorite song, yet I don't like meddle that much). You are deluded in believing you're clever and the way you think of it might be very true with other bands where the most popular albums aren't their best, but it doesn't work with this band. The albums you prefer have a very limited spectrum and liking wider spectrums will probably make you like DSoTM, Wish You Were Here and The Wall a lot.
    lordfatwallet
    Cruel but fair has excellent audio(it's in stereo!)it has to be a soundboard recording. Colmar '74(recorded Colmar France 22 June 1974)has the very early versions of Shine on,Raving & drooling & Gotta be crazy.(All have different music/lyrics). It was the June 13-17 1981 Earls court gigs that was filmed professionally by Alan Parker.Some enterprising bootleggers filmed (on video with three cameras)the February 1980 Nassau coliseum gig.