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#41
You'll get away with the power tubes for a while. You can run just about anything in a Marshall power amp. It's the preamp tubes that you need to bin (keep the best ones as spares).
Gilchrist custom
Yamaha SBG500
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#42
Quote by NordicThrasher
How would I go about running the amp at half impedance? Just click it down to 4 ohms?
Anyway that seems like good advice, considering I've heard tube watts are actually louder.

EDIT: JJ's?


You heard wrong. A watt is a watt, doesn't matter where it comes from.

Whoever told you that, ignore them for future technical 'advice'.
“Ignorance more frequently begets confidence than does knowledge.”
Charles Darwin
#43
Quote by Arby911
You heard wrong. A watt is a watt, doesn't matter where it comes from.

Whoever told you that, ignore them for future technical 'advice'.

I possibly misheard him or or got the information mixed up, because this guy is actually very smart when it comes to technical stuff. He's pretty much a guru of this stuff so I must have misheard him.
#44
Well he is sort of right. They rate amps differently. Tube amps tend to be underated and SS amps tend to be overated. What's written on the amp is often a complete fantasy.
A 100W SS amp is as loud as a 100W tube amp - if both were rated the same way but they never are.
Gilchrist custom
Yamaha SBG500
Telecasters
Randall RM100 & RM20
Marshall JTM45 clone
Marshall JCM900 4102 (modded)
Marshall 18W clone
Fender 5F1 Champ clone
Atomic Amplifire
Marshall 1960A
Boss GT-100


Cathbard Amplification
My band
#45
Quote by gumbilicious
yeah, i was gonna say something about that, i got a shot from a website of the back of what looked like the new DSL. even marshall's site doesn't have a pic of the back.


yeah i couldn't find a pic either, that's why i had to download the manual

Quote by NordicThrasher
Yeah, it probably wouldn't even provide the full tonal quality and potential of the head (the cab), but it will do for now. Anywho, the back says "150 watts (each side)" with "8 ohms left and 8 ohms right" for Stereo, and the Mono is 4 ohms.


thanks

plug in to the mono jack on the cab and plug in to the 4 ohm jack on the amp. assuming it's an older one which has the 4 ohm speaker out jack.
I'm an idiot and I accidentally clicked the "Remove all subscriptions" button. If it seems like I'm ignoring you, I'm not, I'm just no longer subscribed to the thread. If you quote me or do the @user thing at me, hopefully it'll notify me through my notifications and I'll get back to you.
Quote by K33nbl4d3
I'll have to put the Classic T models on my to-try list. Shame the finish options there are Anachronism Gold, Nuclear Waste and Aged Clown, because in principle the plaintop is right up my alley.

Quote by K33nbl4d3
Presumably because the CCF (Combined Corksniffing Forces) of MLP and Gibson forums would rise up against them, plunging the land into war.

Quote by T00DEEPBLUE
Et tu, br00tz?
#46
The old DSL100 has three speaker jacks. One is 16ohm only, the other 2 are parallel and switchable between 4 & 8 ohms, so you can use 2 cabs at 16 or 8 ohms, or one cab at 4, 8 or 16 ohms. I got this from the online handbook on their site.
My Gear:- A guitar, a guitar lead, a guitar amplifier. Or sometimes just an acoustic guitar!
#47
Quote by NordicThrasher
I possibly misheard him or or got the information mixed up, because this guy is actually very smart when it comes to technical stuff. He's pretty much a guru of this stuff so I must have misheard him.


it is actually a very commonly held belief, and there is some observational 'evidence' to support the belief. but unfortunately, the definition of a 'watt' with the THD ratings of an amp don't really allow for a difference in 'tube watts' or 'solid state' watts. at least with nominal ratings anyway.

speaker sensitivity ratings can end up making much more of a difference anyway
punk isn't dead, it's always smelled that way.

"A perfection of means, and confusion of aims, seems to be our main problem."
-ae
#48
Quote by Dave_Mc

plug into the mono jack on the cab and plug in to the 4 ohm jack on the amp. assuming it's an older one which has the 4 ohm speaker out jack.

Yeah, it's gonna end up being the older one (JCM 2000), since the DSL100H doesn't have the impedance switch. Does the back of the JCM 2000 have a pentode/triode switch?
(I probably could be looking all of this up myself but oh well! That's what I have my gearhead UG buddies for )
Last edited by NordicThrasher at Oct 23, 2012,
#49
Quote by NordicThrasher
Yeah, it's gonna end up being the older one (JCM 2000), since the DSL100H doesn't have the impedance switch. Does the back of the JCM 2000 have a pentode/triode switch.
(I probably could be looking all of this up myself but oh well! That's what I have my gearhead UG buddies for )


Thats probably a better choice. New production amps in new factories- first run always needs bugs worked out.

Not sure on the pentode/triode switch as I have DSL401. One of the others will chime in if they haven't already ninja'd me. Free bump. (doesn't look like it on google images)
Quote by DeathByDestroyr
See, it's important that people clarify when they say "metal", because I pretty much always assume they are a Cannibal Corpse fanboi.
Last edited by R45VT at Oct 22, 2012,
#50
Quote by R45VT
Thats probably a better choice. New production amps in new factories- first run always needs bugs worked out.

Not sure on the pentode/triode switch as I have DSL401. One of the others will chime in if they haven't already ninja'd me. Free bump. (doesn't look like it on google images)

Good point. I forgot all about the bugs and glitches part of it.
I'm suspecting it doesn't have that switch for the triode, though, because I couldn't find it either on Images. That sucks. Oh well!

EDIT: To chime in on the factories part, the new DSL is being made in Vietnam, instead of the UK, so I'm good on that... Thanks anyway, Marshall.
Last edited by NordicThrasher at Oct 23, 2012,
#51
Oh no, the DSL doesn't have the triode/pentode switch. I thought it did. That's sad. That was a good feature. So 50W is as low as you can get it - that's with two tubes pulled.

http://www.drtube.com/schematics/marshall/DSL50-100%20manual%20(2004).pdf
Gilchrist custom
Yamaha SBG500
Telecasters
Randall RM100 & RM20
Marshall JTM45 clone
Marshall JCM900 4102 (modded)
Marshall 18W clone
Fender 5F1 Champ clone
Atomic Amplifire
Marshall 1960A
Boss GT-100


Cathbard Amplification
My band
#53
Quote by NordicThrasher
Ah, okay! Well, still, 50 watts is considerably less than 100 watts


at nominal output, 50 watts might only be .5 the power of a 100 watt amp, but it is still .81 the volume/loudness output.

to get half the volume output from a 100 watt amp, you'd need to knock it down to 10 watts.

any little bit helps though.
punk isn't dead, it's always smelled that way.

"A perfection of means, and confusion of aims, seems to be our main problem."
-ae
#54
Yeah but you get more distortion at the same volume - that's the main deal. It only makes a real difference once you start getting up to drummer levels.
Gilchrist custom
Yamaha SBG500
Telecasters
Randall RM100 & RM20
Marshall JTM45 clone
Marshall JCM900 4102 (modded)
Marshall 18W clone
Fender 5F1 Champ clone
Atomic Amplifire
Marshall 1960A
Boss GT-100


Cathbard Amplification
My band
#55
Quote by Cathbard
Yeah but you get more distortion at the same volume - that's the main deal. It only makes a real difference once you start getting up to drummer levels.

I may or may not be jamming with a drummer soon so it would be good to have that 100 watts, for that, anyway.
#56
50W is still plenty loud to play with a drummer. The only difference is that if you crank a 50W into power amp distortion it doesn't drown him out. It all depends on what you are playing. If you are playing blues and classic rock run it at 50W; if playing metal or totally clean stuff, run it at 100W.
You just have to decide what you want to achieve and what's more important.
I gigged with a 60W tube amp for many years and was never wanting more volume. You'll work it out, jut try it both ways and see for yourself.
Gilchrist custom
Yamaha SBG500
Telecasters
Randall RM100 & RM20
Marshall JTM45 clone
Marshall JCM900 4102 (modded)
Marshall 18W clone
Fender 5F1 Champ clone
Atomic Amplifire
Marshall 1960A
Boss GT-100


Cathbard Amplification
My band
#57
Wow, sounds like Marshall is really skimping on the new DSL. Thats pretty sad, the DSL was probably the best value Marshall they were making. Are they still made in England?
I don't give a shit if you listen to me or not
#58
i thought i heard they weren't, but (and it's only hearsay)
I'm an idiot and I accidentally clicked the "Remove all subscriptions" button. If it seems like I'm ignoring you, I'm not, I'm just no longer subscribed to the thread. If you quote me or do the @user thing at me, hopefully it'll notify me through my notifications and I'll get back to you.
Quote by K33nbl4d3
I'll have to put the Classic T models on my to-try list. Shame the finish options there are Anachronism Gold, Nuclear Waste and Aged Clown, because in principle the plaintop is right up my alley.

Quote by K33nbl4d3
Presumably because the CCF (Combined Corksniffing Forces) of MLP and Gibson forums would rise up against them, plunging the land into war.

Quote by T00DEEPBLUE
Et tu, br00tz?
#59
Quote by Kevin Saale
Wow, sounds like Marshall is really skimping on the new DSL. Thats pretty sad, the DSL was probably the best value Marshall they were making. Are they still made in England?

Well, apparently the new DSL is made in Vietnam and not the UK, but I have heard that that is only for the DSL40C, the 40 watt combo in the new series.
#60
Quote by Cathbard
50W is still plenty loud to play with a drummer. The only difference is that if you crank a 50W into power amp distortion it doesn't drown him out. It all depends on what you are playing. If you are playing blues and classic rock run it at 50W; if playing metal or totally clean stuff, run it at 100W.
You just have to decide what you want to achieve and what's more important.
I gigged with a 60W tube amp for many years and was never wanting more volume. You'll work it out, jut try it both ways and see for yourself.

Yeah, that sounds about right. It's all about experimentation!
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