#1
Trying to sell a Line 6 Spider Valve 212 Combo.

Its just over 1 year old and in perfect working order! The amp has been gigged a few times and has some small bashes but these are only cosmetic. Anyone looking to buy this probably has a good idea about what they're looking for :-)

Any offers are welcome or looking a trade for something like a Peavey Classic 30 would be nice (something smaller).

Ill add in the footpedal (FBV express for an extra £30). Both of these are in Camberley, Surrey and come from a smoke/pet free home. Delivery will cost extra if needed obviously!

Pictures:
http://www.facebook.com/album.php?aid=103635&id=705088952&l=5967293a7b
(photobucket wouldn't let me upload them for some reason...)

Specs (straight from Line6's website)

* 40W Class AB tube amp through (2) 12AX7 preamp tubes and (2) 6L6 power tubes
* 2X12" configuration featuring a pair of Premium Celestion® Vintage 30 speakers
* 12 dialed in amp models (channel voices) that deliver a complete tonal range from shimmering clean to insane grind
* 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb
* Built-in front panel tuner
* 36 user programmable channels
* 300+ presets covering the greatest guitar tones of all time
* POD® XLR direct out for studio direct tone
* Compatible with FBV2, FBV Express and FBV Shortboard foot controllers
*Single and dual 1/4" speaker output jacks for connection to auxiliary cabinets
*1/4" power amp input jack for POD® amp and effect modelers
*Weight: 60 lbs
*Dimensions: 30" L x 25" H x 15" D

PM me if any more information is required or you want to buy/trade please.
#2
bump
Gibson SG Special

Laney VC30

Visual Sound Route 66
Sparkle Drive
Crybaby
Fv-50
DD-20
Korg Pitchblack
#3
bump.

Id happily sell the pedal and the amp together for anything as low as 270
Gibson SG Special

Laney VC30

Visual Sound Route 66
Sparkle Drive
Crybaby
Fv-50
DD-20
Korg Pitchblack
#4
bump
Gibson SG Special

Laney VC30

Visual Sound Route 66
Sparkle Drive
Crybaby
Fv-50
DD-20
Korg Pitchblack
#5
I'm fairly tempted. How does it handle rolling stones type driven fender tweed tones?

Any chance of a little video or sound clip demonstrating that?

This thing would be the dogs tits for cover gigs!
Epiphone Elitist SG (Serious)
Tokai Silver Star
Epiphone Dot
Epiphone Les Paul
Washburn J28SCEDL
Washburn J12S

G.A.S List

JCM600 (Yes a 600..)
#6
Quote by willieturnip
I'm fairly tempted. How does it handle rolling stones type driven fender tweed tones?

Any chance of a little video or sound clip demonstrating that?

This thing would be the dogs tits for cover gigs!


Any sound clip would be ruined by my lack of decent recording equipment, sorry.

I'm sure you could find some youtube videos though?

From experience the cleans are very good, I'm not sure exactly what theyre modeled on by theyre warm and nice - run an overdrive pedal into one and its amazing!

The twang sound may be modeled on a fender tweed...? Well its got a very nice rolling stones sound when its in its second blue position if that helps!

One more thing, its actually on ebay currently with the pedal included. Its on buy it now for £400 or make an offer. Some guy has made an offer for £360 so if your still interested just have a quick look - the pictures should match to those on here
Gibson SG Special

Laney VC30

Visual Sound Route 66
Sparkle Drive
Crybaby
Fv-50
DD-20
Korg Pitchblack
#7
Quote by willieturnip
I'm fairly tempted. How does it handle rolling stones type driven fender tweed tones?

Any chance of a little video or sound clip demonstrating that?

This thing would be the dogs tits for cover gigs!

yes the twang setting is a fender tweed model

"Clean Amber
Select this Amp Model and adjust the tone controls to get crisp clean tones, warm jazz timbres, and all the high-end shimmer you’ll need with a generous amount of bottom end.
Clean Blue
Emulate those classic late-’60s and early-’70s clean tones. Based on a 1973 Hiwatt® Custom 100 with extended tone control range and tightened up low end.
Twang Amber
Based on mid-’60’s Fender® amps, including the blackface ’65 Twin Reverb® and blackface ’64 Deluxe Reverb®. Vintage glassy high-end tone with some extra snap and bite.
Twang Blue
This Amp Model is based on a number of vintage tweed amps: ’53 Fender® tweed Deluxe Reverb®, ’58 Fender® tweed Bassman® and a ’60 Gibson® Explorer to create a swingin’ Rockabilly tone.
Blues Amber
Based on a mix of a ’65 Marshall® JTM-45, a ’58 Fender® Bassman®, a ’63 Fender® Vibroverb and a Supro®, this Amp Model slides between gritty, swamp-infected cleans to syrupy smooth, walloping drive tones.
Blues Blue
This Amp Model is based on a fawn Vox® AC-30 amplifier with an updated and expanded tone control circuit. Capturing that early British pop rock tone made famous by the Beatles and the Stones.
Crunch Amber
This sound was crafted during studies of the '68 Marshall® Plexi 50 Watt. This type of Marshall® amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall® amp had.
Crunch Blue
This Amp Model is based on a 1968 Marshall® Plexi 100 watt with a few added extras: the combination of a Variac and the jumped input channels creates that infamous brown sound.
Metal Amber
This Amp Model is based on the Mesa/Boogie® Dual Rectifier®. Use this Amp Model to get a tight and punchy high-gain metal sound.
Metal Blue
This sound was created to be an aggressive high-gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. The Mid knob for this Amp Model changes the character of the distortion. When set to maximum, the distortion exhibits Fuzz pedal characteristics. When the Mid is set to noon, it mimics the creamy modern high-gain amp tones. And when the Mid knob is turned down to minimum, it's very much reminiscent of that Class A sound.
Insane Amber
This model is a “dialed in for shredding” version based on the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Amber, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind.
Insane Blue
The goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character. "
Gibson SG Special

Laney VC30

Visual Sound Route 66
Sparkle Drive
Crybaby
Fv-50
DD-20
Korg Pitchblack