#1
Hey all.

I've been kind of curious about this particular mic. While I have gotten a few decent recorded tones with my SM57, I still haven't been able to get the sound I want out of it, despite lots of experimentation with mic positioning (though my skill level at this point could be to blame as well).

I'm wondering if maybe using a different mic might be worth giving a shot? I've heard this is a pretty good mic, and from what I can tell from pics, it looks like it can capture a wider range of sound than an SM57? I've already tried some dual micing stuff with some condenser mics I have (using one of them in combination w/a 57), but while I capture a wider range of sound, it picks up a harsh high end that isn't too pleasant to listen to.

If it means anything, I'm mainly recording metal stuff. Any good advice helps!
- Gibson Flying V 120 #1 (White)
- Gibson Flying V 120 #2 (Cherry)
- Gibson SG Standard ('61 style)
- Jackson DK2M

- ENGL Fireball 60
- Avatar 4x12

- Many pedals, plus other stuff
#2
If i was you, i would pick up a Sennheiser 421, and dual mic it with the 57. Alot of bands do this. Alexisonfire, and Underoath both do this.

The results are great!
Gear:
Epi Les Paul Custom w/ 57 classic plus & burstbucker pro
Gibson SG Limited Edition, Crescent Moon Inlays
Dr. Z SRZ-65
Egnater 4x12 cab w/ Vintage 30s
#3
^yes! and if u wanna be a real man exchange the sm 57 for an sm7!
Quote by ILuvPillows?
Masturbate it off.
#4
I'd rather get the e906, I just preferred it more quality wise. You get what you pay for from Sennheiser.
Guitars:
Ibanez UV777P
Ibanez RGD2127FX
Ibanez RG3120TW
Ibanez RGD7321
Ibanez RG6003FM
Ibanez SA160
Jackson Slatxmg3-7
Amps:
Baron Custom Amps K88
Rivera Knucklehead TRE
Fryette Sig: X
Randall RM4 /w Modded modules
Cabs:
Mesa 4x12
Bogner 4x12
Peavey 4x12(K85s)
#5
Quote by kylendm
I'd rather get the e906, I just preferred it more quality wise. You get what you pay for from Sennheiser.


wait... you'd rather get the e906 ($189) over the MD421 ($379) because you want better quality and "get what you pay for"????

i'm a bit confused.

i personally think a 57 and 421 on guitar cabs is all anyone could ever need. but maybe your style is a 57 and/or 906. your call, but quality wise, there is nothing wrong with a 421. pro studios all over the world use 421's on guitar cabs. if you really "get what you pay for" then the 421 is twice as good as the 906.