The delay stuff was... well, useless. Not real sense of pitch nor any discernible rhythmic component. I get playing around with pedals and weird noise but I'm almost certain you'll never actually use something like that in a song. I say keep that in the bedroom and share songs with the rest of the World instead.

Great technique for the lead but I'd like to see it used in a composition. Think old Tony McAlpine. That would be awesome.
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