#1
ive decided its time to get rid of the piece of crap line 6 and start looking at a more professional grade amp. unfortunatly, i dont know what id like, or where to start. i play metal for the most part, most doom metal so i need to get a darker sound, i also need a decent clean channel. influences are swallow the sun, dimmu borgir, katatonia, opeth, shit like that. been looking at mesa rectifiers, ENGL powerballs, or perhaps the peavey xxx..... but im really not sure, can anyone help me out? thanks
If I stay too quiet
I can hear her walking by
Death cold air is moving
Like the touch of her hand

ikuisesti hallussa surua,
pienentynyt enkeli, ottaa minuun,
johtaa minut tämän arvokkaan valoa,
ja ikuiseen pimeyteen.
#2
You need some of these new Mesa/Boogie Quad Rectifier.

More brutal than your Triple Rectumfriers
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#3
Budget?
Guitars: Fender FSR Standard Strat, Squire Affinity Strat, Epiphone Nighthawk
Amps: Vox AC15C1, Roland Cube 15x, Peavey KB-1
Pedals: Digitech RP355, HD500, Joyo AC-Tone, EHX Soul Food
#4
For Doom Metal I'd look at Matamp/Electric Amp or Orange. The Orange TH30 would be propbably the cheapest choice.
2002 PRS CE22
2013 G&L ASAT Deluxe
2009 Epiphone G-400 (SH-4)
Marshall JCM2000 DSL100
Krank 1980 Jr 20watt
Krank Rev 4x12 (eminence V12)
GFS Greenie/Digitech Bad Monkey
Morley Bad Horsie 2
MXR Smart Gate
#5
orange amps are pretty much the standard amp for most doom/stoner metal bands
My Gear:
BC Rich Gunslinger Retro Blade
Vintage V100 Paradise + SD Alnico Pro Slash APH-2's
1963 Burns Short Scale Jazz Guitar
Dean Performer Florentine
Bugera 6260
Orange Micro Terror + cab
Digitech Bad Monkey
Zoom G2G
#7
Orange is definitely the way to go for doom. If you're on a tight budget, I'd look at used Tiny Terrors, or Dual Terrors if you plan to gig. If you can spend $1000+ then I would suggest trying out the Orange TH30.
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#10
Vintage voiced marshall, fuzz face/big muff, jazz box archtop. i've always wanted to hear that together for doom it would be raw as fukk.
Quote by Powerhouse
I was in a nu-metal band when I was 15. I hated the top 3 strings (G,B, and E). I wondered why guitars even had them.