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#2
Should have got a Super Champ XD

1977 Burny FLG70
2004 EBMM JP6
2016 SE Holcolmb
#3
Should have got a POD HD.
Fender American Special HSS Stratocaster
Ibanez 1987 Roadstar II Deluxe
Yamaha THR10X
Marshall JCM900 SL-X
Ibanez WD-7 Weeping Demon Wah
TC Electronic Polytune
Seymour Duncan Tweakfuzz
#4
Should have got a Line 6 M9.
Quote by DeathByDestroyr
What the hell is a G&L.



Quote by Flux'D
Gay & Lesbian I think, the box smelled funny
Greg what did you send me??
#5
Ew. Icky.
Quote by Cathbard
Quote by Raijouta
Unless its electronic drums.

BURN THE WITCH!!!!!
#6
Should've gotten a pod 1.0.
Guitars: Fender FSR Standard Strat, Squire Affinity Strat, Epiphone Nighthawk
Amps: Vox AC15C1, Roland Cube 15x, Peavey KB-1
Pedals: Digitech RP355, HD500, Joyo AC-Tone, EHX Soul Food
Last edited by kutless999 at Jan 30, 2012,
#8
it cost less than $400 for the stack.
I wondered why the frisbee was getting bigger, then it hit me.
Last edited by gregs1020 at Jan 30, 2012,
#10
Quote by gregs1020
it cost less than $400 for the stack.

Great rock'n'roll attitude!

Combos are for pussies!


... like me
Fender American Special HSS Stratocaster
Ibanez 1987 Roadstar II Deluxe
Yamaha THR10X
Marshall JCM900 SL-X
Ibanez WD-7 Weeping Demon Wah
TC Electronic Polytune
Seymour Duncan Tweakfuzz
#11
Quote by JesusCrisp
Great rock'n'roll attitude!

Combos are for pussies!


... like me

I wondered why the frisbee was getting bigger, then it hit me.
#12
No review?

*reported*
Gibson Les Paul Studio
Highway One Telecaster
Dean Evo
Mesa F-50
Laney GH50L
Vox AC30 C2
Ampeg V2
pedals
#13
Quote by LaidBack
No review?

*reported*

it's not a N?D thread jackwagon.


it's a alternative method of bedroom toanage.
I wondered why the frisbee was getting bigger, then it hit me.
#14
Don't care. Prepare for Colin's Great Aunt!


Gibson Les Paul Studio
Highway One Telecaster
Dean Evo
Mesa F-50
Laney GH50L
Vox AC30 C2
Ampeg V2
pedals
#15
Quote by gregs1020
it's a alternative method of bedroom toanage.

The only alternative method of bedroom toanage which are not modellings amps are cranked Marshall Majors.
Fender American Special HSS Stratocaster
Ibanez 1987 Roadstar II Deluxe
Yamaha THR10X
Marshall JCM900 SL-X
Ibanez WD-7 Weeping Demon Wah
TC Electronic Polytune
Seymour Duncan Tweakfuzz
#16
Nah, Greg's doing it right. I'm just trolling.
Gibson Les Paul Studio
Highway One Telecaster
Dean Evo
Mesa F-50
Laney GH50L
Vox AC30 C2
Ampeg V2
pedals
#17
Does it sound almost as good as it did before you did the fisher price mod?
Quote by Cathbard
Quote by Raijouta
Unless its electronic drums.

BURN THE WITCH!!!!!
#18
it sounds awesome for a practice type rig.

i used it to go jam with another guitarist, it worked great for almost drum level volume.

i kinda want the footswitch now.
I wondered why the frisbee was getting bigger, then it hit me.
#19
Quote by gregs1020
it sounds awesome for a practice type rig.

i used it to go jam with another guitarist, it worked great for almost drum level volume.

i kinda want the footswitch now.


Would this guy work?

FOOT SWITCHES
USED BEHRINGER FCB1010

Details »
Accessories
Guitar Center Danvers
Danvers, Massachusetts 01923
978-777-1950
View Store's Used Inventory
Contact Store
Now Only
$69.99

Or this

MULTI EFFECT
USED LINE 6 FBV EXPRESS
Details »
Recording
Guitar Center Visalia
Visalia, California 93277
559-713-0352
View Store's Used Inventory
Contact Store
Now Only
$39.99
Gibson Les Paul Studio
Highway One Telecaster
Dean Evo
Mesa F-50
Laney GH50L
Vox AC30 C2
Ampeg V2
pedals
Last edited by LaidBack at Jan 30, 2012,
#20
dude you want a short patch cable to attach it to the amp's input
I'm an idiot and I accidentally clicked the "Remove all subscriptions" button. If it seems like I'm ignoring you, I'm not, I'm just no longer subscribed to the thread. If you quote me or do the @user thing at me, hopefully it'll notify me through my notifications and I'll get back to you.
Quote by K33nbl4d3
I'll have to put the Classic T models on my to-try list. Shame the finish options there are Anachronism Gold, Nuclear Waste and Aged Clown, because in principle the plaintop is right up my alley.

Quote by K33nbl4d3
Presumably because the CCF (Combined Corksniffing Forces) of MLP and Gibson forums would rise up against them, plunging the land into war.

Quote by T00DEEPBLUE
Et tu, br00tz?
#21
Quote by LaidBack
Would this guy work?
USED LINE 6 FBV EXPRESS
$39.99

yeppers, that's the one.

Quote by Dave_Mc
dude you want a short patch cable to attach it to the amp's input

it's plugged in with the red cable.
I wondered why the frisbee was getting bigger, then it hit me.
#23
You need a shorter cable like this:


We all know letting the cables stretch help the harmonics and kills cable capacitance.
#24
i could use a 3" shorter cable.

that way there won't be as much of a delay.
I wondered why the frisbee was getting bigger, then it hit me.
#25
^hahaha
Quote by element4433
One time I watched a dog lick his own dick for twenty minutes.

Quote by Roc8995
No.


Well, technically it could be done, but only in the same way that you could change a cat into a hamburger. It's an unpleasant process, and nobody is happy with the result.
#27
^^^ Awesome! He even flipped the logo. Creative people....
#28
Endorsed by Dean Guitars 07-10
2003 Gibson Flying V w/ Moon Inlay
2006 Fender All-American Partscaster
SVK ELP-C500 Custom

1964 Fender Vibro Champ
1989 Peavey VTM60

[thread="1166208"]Gibsons Historic Designs[/thread]
Last edited by Flux'D at Jan 31, 2012,
#29
Quote by 311ZOSOVHJH
This guy found a solution

I wondered why the frisbee was getting bigger, then it hit me.
#30
My bedroom rig...

Had to paste together a wide angle. Both the G3 and the GR-55 go to the mixer and are sent to the aux bus. The aux bus feeds the RC-50 loop station and the output of the RC-50 goes back to the mixer, then to the PA (which is a stereo power and regular Yamaha home stereo speakers).

I send the "guitar out" (it's a separate output. the normal output goes to the mixer) of the GR-55 to the pedalboard. The guitar out can be programmed to send the guitar pups or the hex pickup to the pedalboard. When using the hex pickups I can simulate various guitars and change the tuning, add octaves, etc... I can program a control switch on the GR-55 to switch pretty much anything.

#31
Shoulda got a V8.
We've dressed up in our best...

...and are prepared to go down like gentlemen.

Quote by bogg808
The PBT is for those too TGP for the rest of UG.

#32
^^ holy crap fly.

i don't know what i'd do with all that stuff.

but that's cool.

M5 or G3, which do you prefer?
I wondered why the frisbee was getting bigger, then it hit me.
#33
Should've got a behringer v-amp.
Guitars: Fender FSR Standard Strat, Squire Affinity Strat, Epiphone Nighthawk
Amps: Vox AC15C1, Roland Cube 15x, Peavey KB-1
Pedals: Digitech RP355, HD500, Joyo AC-Tone, EHX Soul Food
#35
Quote by 311ZOSOVHJH
Behringer knows tone you just have to reboot it and flush out the bad


the "bathroom tone guys, get in here!" thread is thataway--->
I wondered why the frisbee was getting bigger, then it hit me.
#37
Quote by gregs1020
the "bathroom tone guys, get in here!" thread is thataway--->


No joke. From last night...

Quote by My 4 year old in the tub
Daddy? Why are you drinking a beer and playing the guitar on the potty?


I have the bathroom toanz covered.
#38
Quote by gregs1020
^^ holy crap fly.

i don't know what i'd do with all that stuff.

but that's cool.

M5 or G3, which do you prefer?
Initially I would say definitely the G3 with it's looper/drums. But now that I have the RC-50 we can leave that out off the equation. I still prefer the G3 because the 3 independent stomps give me more options. The G3 has amp models where the M series does not.

One drawback on the G3 is that the amp models don't have much in the way of a good selection of cleans. This is causing me some grief because I'm running into a mixer. I've actually thought about sticking my RP155 on the end of the chain and using it for a clean amp model with cab.

Back to your question. I would prefer an M9 over the G3, but not the M5. I think the Line 6 FX do trump the G3 but on head to head price/size the 3 stomps of the G3 beat the M5.

My problem is that micing an amp picks up too much of the room sound. Hence the straight into mixer thing. My next project is to build a small insulated mic cabinet to cover the front of my Fender Pro Jr so I can get an actual mic'd cab sound. Then compare it to the amp/cab of the G3 or RP155.

I just picked up the RC-50 on CL for $250. I'm really excited about what I can do with 3 loops w/undo. So far all my stuff has been done with one loop and no undo. Plus the GR-55 (xmas gift to self) has some awesome stuff. As soon as I get a good song with this rig I'll post a NPD.
Last edited by fly135 at Jan 31, 2012,
#39
fly-

Are all your mixer inputs taken?

If my understanding that you are seeking a better clean tone is correct, what of an A/B box at the beginning of the signal chain to take all the other stuff out of the path except what you want in the clean path- for example an amp modeler of some sort- then that runs into the mixer?
#40
Oh yeah I picked up that Tweak Fuzz recently on sale. It sounds a little thin but has some good tones. When I first hooked up the GR-55 to the pedal board I was getting some really awesome gnarly fuzz tone from the Tweak using the hex pickup. Wasn't really sure why so I started digging deep into the GR-55 settings and found it was mixing in a sub octave.

The GR is really cool because I can run synth tones in parallel to the pedalboard tones. So far I've been really keen on the piano and flute.
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