#3
^ I thought it was the jerry donahue signature model, but I got this when I googled it:

http://forums.fender.com/viewtopic.php?f=8&t=40103

I haven't tried one.
I'm an idiot and I accidentally clicked the "Remove all subscriptions" button. If it seems like I'm ignoring you, I'm not, I'm just no longer subscribed to the thread. If you quote me or do the @user thing at me, hopefully it'll notify me through my notifications and I'll get back to you.
Quote by K33nbl4d3
I'll have to put the Classic T models on my to-try list. Shame the finish options there are Anachronism Gold, Nuclear Waste and Aged Clown, because in principle the plaintop is right up my alley.

Quote by K33nbl4d3
Presumably because the CCF (Combined Corksniffing Forces) of MLP and Gibson forums would rise up against them, plunging the land into war.

Quote by T00DEEPBLUE
Et tu, br00tz?
#4
Quote by crazysam23_Atax
What do you mean by "Hellecaster"? Is that like a Superstrat?


Just google it, my man.
#5
Are you buying one?

I'd imagine they'd play like a strat, pickups remind me of G&L split coil
2002 PRS CE22
2013 G&L ASAT Deluxe
2009 Epiphone G-400 (SH-4)
Marshall JCM2000 DSL100
Krank 1980 Jr 20watt
Krank Rev 4x12 (eminence V12)
GFS Greenie/Digitech Bad Monkey
Morley Bad Horsie 2
MXR Smart Gate
#6
Quote by Robbgnarly
Are you buying one?

I'd imagine they'd play like a strat, pickups remind me of G&L split coil

No, probably not, far out of my price range, I just find them very interesting, and would like to know more about it.
#7
Well seeing as it is an all maple body and neck it is probably pretty bright sounding.
It will be tuff finding anyone with actual hands on experience with them, because they were only made for a short time.
2002 PRS CE22
2013 G&L ASAT Deluxe
2009 Epiphone G-400 (SH-4)
Marshall JCM2000 DSL100
Krank 1980 Jr 20watt
Krank Rev 4x12 (eminence V12)
GFS Greenie/Digitech Bad Monkey
Morley Bad Horsie 2
MXR Smart Gate
#8
Quote by Robbgnarly
Well seeing as it is an all maple body and neck it is probably pretty bright sounding.
It will be tuff finding anyone with actual hands on experience with them, because they were only made for a short time.

I see. Thanks anyways, guys!
#9
Quote by Biebsy
Just google it, my man.

I did. I got nothing.

Dave's link was useful though. Honestly, it sounds pretentious as fuck.
#10
I'd sell that guitar and buy like 10 other guitars.
Some see the glass half full, others see the glass half empty. Me? I see that the glass is refillable.
#11
Quote by crazysam23_Atax
I did. I got nothing.

Dave's link was useful though. Honestly, it sounds pretentious as fuck.


most of my posts do
I'm an idiot and I accidentally clicked the "Remove all subscriptions" button. If it seems like I'm ignoring you, I'm not, I'm just no longer subscribed to the thread. If you quote me or do the @user thing at me, hopefully it'll notify me through my notifications and I'll get back to you.
Quote by K33nbl4d3
I'll have to put the Classic T models on my to-try list. Shame the finish options there are Anachronism Gold, Nuclear Waste and Aged Clown, because in principle the plaintop is right up my alley.

Quote by K33nbl4d3
Presumably because the CCF (Combined Corksniffing Forces) of MLP and Gibson forums would rise up against them, plunging the land into war.

Quote by T00DEEPBLUE
Et tu, br00tz?
#12
Solid maple guitars aren't anywhere near as "bright" as folks would guess.
The L5S is solid maple -- and it sounds very jazzy.
The L6S is solid maple -- and while it certainly has bright moments (it's one of those early guitars that used parallel modes on the humbuckers as well as standard humbucker serial), it's not overall bright.
Some of the Carvins are solid maple (the DC-150, the V220, the LB75 bass), some are solid mahogany, a couple are koa. I don't think you could pick out which is which by the brightness.
One of the Moonstones has a solid (and quite dense and heavy) single chunk of maple burl body and a multipiece maple (and other wood...purpleheart?) neck with an ebony fretboard. It *can* be bright, but it's a '70's guitar and has a pair of treble boosters and the pickups are Bartolini actives, so who knows what it would sound like in another material?

All in all, there's really nothing in MY guitars that suggests that maple will always give you a bright guitar.
#13
^ based on the very few all-maple guitars i've tried, i'd tend to agree. the kramer jersey star i tried just sounded like a superstrat, to my ears. i may have tried others, but that's the one i can definitely remember trying
I'm an idiot and I accidentally clicked the "Remove all subscriptions" button. If it seems like I'm ignoring you, I'm not, I'm just no longer subscribed to the thread. If you quote me or do the @user thing at me, hopefully it'll notify me through my notifications and I'll get back to you.
Quote by K33nbl4d3
I'll have to put the Classic T models on my to-try list. Shame the finish options there are Anachronism Gold, Nuclear Waste and Aged Clown, because in principle the plaintop is right up my alley.

Quote by K33nbl4d3
Presumably because the CCF (Combined Corksniffing Forces) of MLP and Gibson forums would rise up against them, plunging the land into war.

Quote by T00DEEPBLUE
Et tu, br00tz?