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#163
Not a slash chord.

See, the actual root note is omitted. This means that if I listed the note F#, you might say "D major: which suggests that the root (D) and the fifth (A) were omitted" or something like that...

This means that if the chord is F#13, then F# wouldn't BE in the arpeggio.
#165
^?

There are four tones in that chord... five in my arpeggio alone, and two which I omitted.
#169
Originally posted by WindJammer
^Where's the 13 in my arpeggio?


Damn, still looked at it wrong, b13 is what I meant.

D# F# A# B E

G# A# B# C# D# E# Fx

1 b3 2 5 b7 b13
#172
What... with an omitted major 3rd and a #9 alteration ?

Sorry, leave alone the G#, as a hint... its simplest form is not the simplest form of this chord.
#175
^You are very close... and you'd smack yourself for your small mistake (but I won't mention it ).

I won't go into exactly how you made your mistake, but I demand perfection!!!
#177
^You got it. HOwever, you may have specified, "no root" .

Go ahead. *cues young boy running into his parents' arms soundtrack*
#178
uhm D#m13 ? omitting root and fourth

edit: lol k ... not. Hmm^^

edit 2: omg ... I looked at the whole thing a string down oO
Last edited by F-3 at May 15, 2005,
#179
I was going to but, its implied by the question....
------------------------------------------------------
Using this chord:


  F
|-1-|
|-1-|
|-2-|
|-3-|
|-3-|
|-1-|


Create 8 more chords by alteringing one note by one semitone. The trick is: You alter the chord you have made. Ex. Alter one note by one semitone in F, then in the next, etc... Those chords you will be creating are:

Fmaj7

Fm/maj7

Fm

Fm7

F7

F7sus4

Fmaj7sus4

Fsus4

The trick here is to alter the right note. Its easy once they all start falling together.

Hint: The first two chords (Fmaj7, Fm/maj7 have a root note of E)
#180
^ The omission of the 5th in 7ths and extensions is commonplace, and almost mandatory in the 13th... no need to specify that it's not present. BTW, I'm not looking to see if you're right or not, just helping you simplify.
Quote by les_kris
Corwinoid is God
I'm not even God-like... I've officially usurped the Almighty's throne.
Click here to worship me.

Member #3 of the Corwinoid Fan Club
#182
^ So are you asking us to tab out those chords or what? I don't really get what you're asking. It seems like you're giving us the answer.

*confused*
#184
Heres another hint:

Since your'e altering a chord you've made, (except for the first chord) you just look at the notes you have:

1 F
1 C
2 A
3 F
3 C
1 F

That the one you were given, F major, but now you want Fmaj7, but thats F A C E. You have to change one of the Fs in the chord to E, but since there 3 Fs, you have to make a good choice. I've already said that the root note is E for the first two, which gives
you:

1 F
1 C
2 A
3 F
3 C
0 E

Thats Fmaj7.

So now you have the first one, just remember to alter one note by one semitone.

Now that you have Fmaj7 (1 3 5 7) and want Fm/maj7 (1 b3 5 7) what note do you think will be altered next?
#185
hm, I can't figure out how to go from Fm to Fm7 with just moving a semitone ... I have to alter a by 2 semitones to get from F to Eb
Or am I misunderstanding something here?
#187
Ah okay ^^
I was wondering ... how it's possible else

it should be like this then ...

1 1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1 1
2 2 1 1 1 1 2 3 3 3
3 3 3 3 1 1 1 1 2 3
3 3 3 3 3 3 3 3 3 3
1 0 0 1 1 1 1 1 1 1

edit:
but that fmaj7 sounds horrible ... why not 133210?
#188
not about sound.

EDIT: No you didnt. You have 1 mistake... I'll let you figure it out, look very closely.


1  1 1 1 1 [b]1[/b] 1 1 1 1
1  1 1 1 1 [b]1[/b] 1 1 1 1
2  2 1 1 1 [b]1[/b] 2 3 3 3
3  3 3 3 1 [b]1[/b] 1 1 2 3
3  3 3 3 3 [b]3[/b] 3 3 3 3
1  0 0 1 1 [b]1[/b] 1 1 1 1

   x x x x * * * * *


x = good
* = bad
Last edited by slash_pwns at May 17, 2005,
#189
1 1 1 1 1 1 1 1 1
1 1 1 1 1 1 1 1 1
2 2 1 1 1 2 3 3 3
3 3 3 3 1 1 1 2 3
3 3 3 3 3 3 3 3 3
1 0 0 1 1 1 1 1 1

whops yeah, the chord was twice somehow
#191

e-----0-4-----
B-2--------0-4
G---2---------
D-------------
A-------------
E-------------


I liked the idea of omitting something, so I'll steal the idea :p
Root is omitted
#192
Wild guess...

F#m6(9, 11)?
Carpe diem; Seize the day.

Just be.

Scales are notes, not shapes, boxes, or patterns.
#198
*poke*

I still think the time limit should be 24 hrs!

Change! Change!

EDIT: I'm gonna go tommorow at 9:38pm, If WJ doesnt go... Unless someone needs to go...
Last edited by slash_pwns at May 18, 2005,
#199
I'll go with something easy.

Name this arpeggio:


e|---------------------5-8-|
B|-----------------5-8-----|
G|-------------5-7---------|
D|---------5-7-------------|
A|-----5-7-----------------|
E|-5-8---------------------|

Carpe diem; Seize the day.

Just be.

Scales are notes, not shapes, boxes, or patterns.