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#41
B E A C# F# B

A = 2 5 1 3 6 2
E = 5 1 4 6 2 5
B = 1 4 b7 2 5 1

A6/9, I'd say, since it is the only root scale with a defined third.

EDIT: melikey the voicing!
Looking for my India/Django.
#44
sorry, the first way I typed it didn't come out like I wanted it to at all...]

edit...wow.

I really can't think right now.
#45
Emaj11 is still incorrect. No 7th, no 3rd. It's A6/9... I got it first! *blood and foam spew from mouth in hunger of chord-naming*
Looking for my India/Django.
#47
Doug is probably laughing his ass off looking at this series of posts...
Looking for my India/Django.
#48
well, yeah. it's an A6/9 voicing. but I was looking for the name from the root. (simply Bsus or B9sus4 if you wanna go all "namey" on it. )

either way, another great modal voicing taken from the pentatonic scale/positions.


Cas-
#49
Originally posted by redwing_suck
Doug is probably laughing his ass off looking at this series of posts...


... nah, it's all good. I'm giving alot of voicings that could be named at least as many ways as it has voices.

for future refenrece, unless otherwise stated, i want the name from the root

go ahead red.

Cas-
#50
I was gonna ask ... I saw Bsus in there (i posted my work up there), but the 2/9 threw me off... do we just go with Bsus then?

another fun mode...

-6-
-7-
-7-
-x-
-6-
-8- 



red


EDIT: I won't be back for a couple hours, so feel free to move on once it's correct.
Looking for my India/Django.
#54
^ But the bass guitar is playing the G you dolt. </facisism>
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#56
heh, I just was thinking its a third away from Eb, which, the other way is G....haha, but thats major so i dont know what I was thinking.
#59
good lord i wish i knew half the **** you all do. The only chord I came close to getting was that B bar chord .
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and here in musian talk forum section we encounter the noobus maximus
#62
E9 id say... i may be wrong

Edit: Erase that, i wasnt looking at the right post
Member #4 of the Corwinoid Fan Club!

hmm..... I'm an 8th chord!

Mike's the name; theory's the game
#66
I hate that system for polychords *hate hate hate*
And just so we're sure this is spam, my fingernails are uneven
Quote by les_kris
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#68
That it doesn't get this ugly lump of uneveness out of my ring finger's nail?

No really.... I'd prefer coining those as composite chords; a poly chord is literally a bass extension that redefines the harmonic function above it.

Ie. C/D building a D11 through the implied fundamental tertiary; not a triadic doubling.

Edit: I'm not sure my opinion counts here... but that's how I feel about it personally.
Quote by les_kris
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#69
*giggle*

I want as many correct names as possible for this arpeggio.
e|----------------6-|
B|------------5-----|
G|--------6-----6---|
D|----8-----5-------|
A|------7-----------|
E|--6---------------|


-SD
#70
yeah but poly in and of itself means "more than one" ... and that's exactly what you have in a poly chord "more than one chord" making up the whole.

hell, any chord is a "composite" by nature... a composite of intervals/tones/balh blah...

so calling what we know as a poly chord a "composite" chord (or calling any chord a composite chord) would be imo a bit redundant don't ya think? lol

Cas-
#71
Originally posted by SilentDeftone
*giggle*

I want as many correct names as possible for this arpeggio.e|----------------6-|
B|------------5-----|
G|--------6-----6---|
D|----8-----5-------|
A|------7-----------|
E|--6---------------|

-SD


Bb°7 Db°7 Fb°7 G°7

or if you're looking for ridiculously technical names..

Bb°7 - Db°7/Bb - Fb°7/Bb - G°7/Bb


Cas-

edit: and of course you can substitue the name E°7 for any of the Fb° names and Abb° for either of those G°7's. I just chose to stick with the Fb out of adherence to the initials triads chord tones and chose to use G instead of Abb out of practicality.
#72
^ Yep. I would have accepted E°7 and Abb°7 as well, depending on your view of the chord's notes as far as diatonic goes. IMO E°7 is more practical, if you view each name separately. Whatever

Cas is up

-SD
#73
Oh, the diminished scale does wonders, deffy.

Question: I'm not too enlightened in the ways of the polychord... would a polychord be something like Gmaj6 = Em7?
Looking for my India/Django.
#74
Originally posted by redwing_suck
Oh, the diminished scale does wonders, deffy.

Question: I'm not too enlightened in the ways of the polychord... would a polychord be something like Gmaj6 = Em7?


nah, those would just be root position vs. 1st inversion .... (in the case of that initial chord being an Em7) or root position vs. 3rd inversion (in the case of Gmaj6 being the initial chord)

really that whole thing is just the concept of chords having more than one name/function. basic shit you already know


polychords are chords which when broken down or spelled out contain 2 distinct triads.

like in the case of that chord earlier, I had an Fmajor 1st inversion triad on the bottom and an Eb 2nd inversion on top.

hence

Eb
F


"Ebmaj over Fmaj"


and in the case of poly chords it's not really neccessary to write the inversion like

Eb/Bb
F/A

some time's you see it, but alot of times you won't. especially when dealing with the guitar cause there's usually only one way to voice alot of the polychords.


Cas-

p.s. I'll post my chord in a bit.
#76
Originally posted by casualty01
E--10--<12>
B--6-------
G--9-------
D--8-------
A--0-------
E----------

name and mode.

Cas-

F13(add 4) omit 5, 9

I'm not sure about the mode though...
#79
A11b9b13
Phrygian Dominant... I know what you're working on
Quote by les_kris
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#80
Originally posted by casualty01
^^ I said unless otherwise specified, name it from the bass note

Cas-


Meh, I thought it's harmonic function would be better that way, but if you really want me to...

I gotta' go with redwing's.