Lets say we have the C major arpeggios it would be fingered starting on the A string as follows

12 - 15
13
12
14
15

My question is if I take the same shape and move it to down a fret I will have the B major arpeggio and if I move it down again I will have the A# major arpeggio is this correct?

Also does the same apply for the Minor arpeggios?

THX
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yes. that same shape can be moved all over, for both minor and major.
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yeah g i use those shapes a lot( minor and major) a

i am an asshole...
Quote by benjonotbanjo
yes. that same shape can be moved all over, for both minor and major.

+1

however, only up and down the fretboard, the shape changes on different strings.
Quote by breakstuff
Lets say we have the C major arpeggios it would be fingered starting on the A string as follows

11 - 14
13
11
13
15

My question is if I take the same shape and move it to down a fret I will have the B major arpeggio and if I move it down again I will have the A# major arpeggio is this correct?

Also does the same apply for the Minor arpeggios?

THX

You can move this shape up and down the nect too. It is a min7b5 shape.
Quote by mdc
You can move this shape up and down the nect too. It is a min7b5 shape.

No it's not. It's 1 b3 b5, implying full diminished. Not half diminished.
Apologies. At least its given him 3 shapes to work with now. One of my practise exercises is harmonizing a major scale using sweeps, and I always think 'right, the VII chord is min7b5 so I can sweep this arp over it'. But yeah, the argeggio is just missing out the seventh degree.