#1
So I've been writing alot with augmented chords and I was wondering how some of you guys approach soloing over augmented and diminished chords. For augmented I usually use whole tone but lately i've been getting into lydian augmented becuase Its pretty similar to whole tone just with more possibilities. But for diminished chords I'm kinda clueless, I no that theres locrian for m7(b5) chords and the half whole and whole half diminished scalles. What I wanted to know is where to use the differant diminished scales ie half whole and whole half.
80's Fender Jazzmaster
1976 Gibson L6s
Epiphone sheraton
Late 60's Univox High Flyer Custom Deluxe
Vintage fendr twin
Fuzz Face
Zakk Wylde Wah
#3
And if its a C dim. then the whole half is going to be C,D,Eb,F,F#,G#,A,B,C
80's Fender Jazzmaster
1976 Gibson L6s
Epiphone sheraton
Late 60's Univox High Flyer Custom Deluxe
Vintage fendr twin
Fuzz Face
Zakk Wylde Wah
#6
well the 7th mode is called a diminished scale sometimes. It consissts of B-C-D-Eb-F-G-Ab-B so it seems like that would work.
80's Fender Jazzmaster
1976 Gibson L6s
Epiphone sheraton
Late 60's Univox High Flyer Custom Deluxe
Vintage fendr twin
Fuzz Face
Zakk Wylde Wah