# How The Chords Work

This explanation of harmony really depends on your understanding the major scale and how it works.

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This is something that I wrote some time ago that I keep on hand as a FAQ when people ask about how chords work. This explanation of harmony really depends on your understanding the major scale and how it works. If you don't drop me a line and I'll take a stab at that. Given that the major scale is the thing that sounds like "Do re mi fa sol la ti (do)", let us change each of those syllables to the numbers "1 2 3 4 5 6 7 (8)." In the following model of how chords are built, each number represents the corresponding scale degree above. So... "4" would mean the fourth degree of the major scale, "fa." #4 means that the fourth scale degree is raised by a half step, or one fret, and b4 means it is lowered by 1/2 step. The simplest thing that is treated as a chord (in common practice, not in theory) is the "power chord" or "Five" chord. Compared to a major scale, it is:
`R - 5 ...(Root - fifth or Do - sol...get the idea?)`
Next comes the most common form of harmony, tertiary. It consists of chords built as stacked thirds. In other words, start at someplace in the scale and select every other note. The simplest of these are triads. They are, compared to a major scale:
```Major           R - 3 - 5       ex: G
Minor           R -b3 - 5       ex: Gmi or G-
diminished      R -b3 -b5       ex: Go (pretend "o" is a degree symbol)
augmented       R -#3 -#5       ex G+```
Aside from suspensions, those are all of the triads. Next come seventh chords. Those are produced simply by adding and altering "7." As a rule, unless the word "major" appears in the name of the chord, the seventh will be flatted. There are a lot more possible combinations with seventh chords, for example:
```Major 7         R - 3 - 5 - 7   ex: Gma7
minor 7         R -b3 - 5 -b7   ex : Gmi7
Dominant 7      R - 3 - 5 -b7   ex : G7
half diminished R -b3 -b5 -b7   ex : Gmi7(b5)
diminished 7    R -b3 -b5 -bb7  ex : Go7
Augmented 7     R - 3 - #5 - b7 ex G+7
major 6         R - 3 - 5 - 6
minor 6         R -b3 - 5 - 6 (note NOT b6)```
get the idea? There are lots more. In case you were wondering about chords with higher numbers, it continues on in the same way. If you were to put two octaves of a major scale together, you would have
`1 2 3 4 5 6 7 8 9 10 11 12 13 14 (15).`
So any sort of 9th chord is some type of 1 3 5 7 9, any type of 11th chord is 1 3 5 7 9 11, and any type of 13th chord is some type of 1 3 5 7 9 11 13. It doesn't go any farther. When you get to 15, you have started over. It is always assumed that these extended notes are as they would be in a major scale whose root is the root of the chord. If they are to be altered, they must be addressed individually. For example, a Dominant9 with a sharped 11 and a flat 13 would be notated G9 (#11 b13). Now it is usually not possible to play all of the notes of some of these chords. Many notes are optional. Those that are not are the third, the seventh, and the highest extension. The root is kind of important, too, but less so... and usually the bass player will play that. That's tertiary harmony in a nutshell. Something else that some people experiment with is "quartal," or stacked fourths, "quintal," or stacked fifths, etc... I, myself, am unaware of any treatises on discerning between qualities of these kinds of chords, and if anyone knows if anything has been made up in this area or how different kinds of these harmonies are notated (I've seen Q3 to represent a quartal triad, Q4 to represent four stacked fourths, etc) I'd really apreciate hearing about it. - Tim Fullerton.

### 23 comments sorted by best / new / date

1st! Thanks dude! My understanding of chords is now increased.
the extended part was helpful...11th 13th 9ths.... as well as the what CAN be left out thing....thanks! ps, bassmasta96...you didnt really ask a question....
so if i'm given a bunch of chords i just strum all the strings for that chord or there's like a strumming pattern?
nicely done,ive been playing for awhile and have formal training but this tutorial was a good refresher for me;THANK YOU
erm how can i delete them 2 stupid comments^ lol and finally a page i can actually understand. i can now work chords out for meself. THANK YOU!
what r the classical sounding chords called like the ones on the intro to battery by metallica
umm well im learning guitar and all of the numders and different shit like this "E-----| B-----| G-----| D-0000-----0000-----0000- ----0000- ----| A-0000-----0000-----0000- ----0000----10-9-10-9---- -| D-0000-----0000-----0000- ----0000-----0-----|" or this "E|-----| B|-----| G|--10--10--10--10--12--9 --9/10--10--10- -10--12--9--9- -10--9--10| x2 D|--x---x---x---x---x---x --x/x---x---x---x---x---x--7- - 8---7--8-| A|--8---8---8---8---10--7 --7/8---8---8---8---10- -7--7- -8---7--8-| D|-----7--8---7--8-|" so yea help me out dude!!!
Thanks, i couldnt figure out when to flat the seventh and when not to but this explained it
I have a question is a power chord major or Minor? Email me with the answer PLZ. caz9696@yahoo.com
i didn't quite get the idea but wtv
Yeah I think that this would be a good article for advanced players. I too know how to play guitar but this was to much for me.
mmm....tnx i can now understand now
im sorry but from:'major R - 3 - 5 ex: G' to 'minor 6 R -b3 - 5 - 6 (note NOT b6) get the idea?...there are LOTS more.' i did not understand at all wot the letters or numbers were referring to. i can play guitar, but this was way above my head. u were tlking about the major scale but which particular major scale was in these examples?
very good lesson, I understand you take the root , 3rd and 5th for a major chord, so for example.. a G chord would have g - b - d, in the G chord it is, G B D G B G, which more or less repeats itslef, do all chords double at the end like that? So in all reality , i could play a G chord with just the open d g and b strings????
not as good as yours me myself and i
^ I was just about to post that. In an aug chord the 3 is natural. This lesson was really on chord formulas rather than how they work.
augmented R -#3 -#5 ex G+
I think there's a typo here. IIRC, in an augmented chord, the 3 is not sharped. Therefore it should be augmented R -3 -#5 ex G+ basscat