Using Non-Diatonic Chords To Spice Up Your Progressions Minor IV Chord

In this lesson we will take a look at how non-diatonic chords can be used to add interest to even the simplest chord progression, ala The Beatles.

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The first ting I noticed after I had started actively pursuing an interest in music theory was that many of the bands I aspired to write music like did what I used to think of as "breaking the rules". By this I mean using chords that weren't diatonic to the key they were playing in, outside notes for soloing and such. I now know that there is no such thing in music as "breaking the rules" (not unless you're studying species counterpoint, this is!), but rather artistic choices you make as a musician to add interest & color to your music outside of I IV V progression and its variants. Perhaps the best & most well known example of this would be The Beatles, you may have you heard of them? Okay, well I'm sure if you're reading this you're already aware of their great impact upon music of all kinds, and love them or loathe them they practically wrote the rule book for pop music for the next half century to come! Well anyway, The Beatles broke much ground with their seamless blend of diatonic & non-diatonic chords in their progressions, and I will attempt to teach you how and when to use them is this lesson. First off, I will assume that you the reader has at least a basic knowledge of chord/scale construction, but if not this site has many great articles on the topic you would be wise to check out. If you are already up to speed, lets move on! Minor iv. Perhaps my favorite of all The Beatles songwriting tricks (and the basis for this lesson), subbing a iv for a IV in a major key progression can add some needed interest to an otherwise generic progression, giving off a nice minor key flavor. Another cool thing to do is to play a major IV and immediately follow it with a iv. Very Beatlesque. Now for some examples: The Beatles - "In My Life" (Verse)
I   V  IV   iv
A - E - D - Dm
The Beatles - "When I'm Sixty Four"
I   I7   IV  iv   I
C - C7 - F - Fm - C
One thing to think about when using a minor iv is a progression, though, is that the new chords minor 3rd is going to clash with the major 6th of the key you are playing in, so keep that in mind while improvising or soloing using a progression such as the ones I shown you or one of your own.

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    ARMAGEDDON_IT
    Thanks for the feedback! That's a good point you make libertines4ever, I probably should have explained that one a little more in depth than I did. @krypticguitar87, thanks for the critique, come to think of it it is a bit misleading haha, but I plan to write more lessons detailing the use of more non-diatonic chords in the future.
    libertines4ever
    good lesson I think what you forgot though is to explain why the major IV - minor IV - root works so well, which is because the b3 of the iv is a sort of bridge between the major third of the IV and the fifth of the root chord, it's quite easy to see how the tension resolves when written down as tab, you only need to take a look at the e-string in the in my life progression ---D----Dm--A e--2----1---0 apart from that it's a great lesson as countless bands use this really essential trick!
    krypticguitar87
    seems like a pretty decent lesson, although I would have enjoyed more examples. alot more. Why did you only have examples for the progressions that follow the IV iv pattern but none on substituting the IV with an iv? the next little problem I have with this is that you built up the lesson to sound liike you were going to show several non-diatonic chords that could be added, but you really only showed us a minor fourth chord in a major scale...
    UseMyIllusion
    Good lesson I've heard that technique so many times but never acknowledged it haha. Only problem is that the lesson is too short. :/