Arpeggiosinversions

My lesson is about the basic arpeggios and inversions. Mostly designed for shred guitar.

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Hello dear UG members, my name is Jani and in the UG forums you probably know me as the " That finish guy with a Beethoven avatar" I have been playing guitar little bit over two years. On that time I have been mainly focusing on learning the secrets of shredding. My Favourite guitar players at the moment are Yngwie.J.Malmsteen, Paul Gilbert, Steve Vai, Guthrie Govan and all those players use arperggios on their guitar playing. So In this lesson I am going to tell you a littel bit about arpeggios&Inversions and how to use them in your guitar playing. So what are arpeggios? Arpeggio are, simply, a broken chord, and a broken chord means that you play the tones of the chord melodically, or one by one, instead of harmonically, which means at the same time. The most basic arpeggios are Minor and Major arpeggios. Of course, there are lots of different types of arpeggios, like minor, major, diminished, augmented 7th's, minor 6th's, minor/major/diminished/augmented add 9's and lots of other types of arpeggios, but in this lesson we'll stick to the basics. So how you can use arpeggios in your guitar playing? There is lots of diffrent ways, but the most common ones are: sweep picking, tapping and alternative picking. The pattern for the Minor arpeggio is: 1, b3, 5. The root, minor third and perfect fifth. to create an minor arpeggio in the key of E minor. The notes in a key of E minor are E, F#, G, A, B, C, D, E. You can make three minor arpeggios in the key of E minor: E minor, A minor and B minor, and because the pattern for the minor arpeggio is 1, b3, 5, E minor would have the tones: E, G and B. Even if the tones are in a diffrent order like G, B, E it would still be an E minor arpeggio. Its just inverted. The second inversion of the E minor arpeggio would be B, E and G. Inversions: An Interval is inverted by raising or lowering either of the notes using displacement of the octave/octaves so they both retain their pitch classes. For example, the inversion of the notes (lower)E and G (higher) , would be (lower)G and E ( Higher). And if you want to invert these notes (lower)A and B It would invert as an (lower) B and A. Notice how that Major second inverted as a minor seventh. Here is an list about the inversion of the intervals. Unison-Octave Second-Seventh Third-Sixth Fourth-Fifth List about Interval quality under inversion: Perfect-Perfect Major-Minor Augmented-Diminished You can also invert Chords&arpeggios.Invertiing chords can really refresh your normal rhytym playing. Here is a few examples about chord&arpeggio inversions: A minor chord on the root position. A,C,E A minor chords first inversion C,E,A A Minor chords Second inversion E,A,C G major chord in a root position G,B,D G major chords first inversion B,D,G G major Chords Second inversion D,G,B Notice the logic on this? Here are a few examples of three string sweeped E minor arpeggios:
     |--3--|    |---3--|  ---          
     E  E  E    E   E  E               
E||--------7h--12p--7--------|-------||
B||-----8--------------8-----|-------||
G||--9-------------------9-|-------||
 
The first inversion of the E minor arpeggio:
      |---3---|    |----3---|     3    
      E   E   E    E    E   E     E    
E||----------12h--15p--12------|-----||
B||------12----------------12--|-----||
G||--12------------------------12|-----||
 
The second inversion of the E minor arpeggio:
   
E||----------15h--19p--15------|-------||
B||------17----------------17--|-------||
G||--16-----------------------16|-------||
 
Here are a few examples of tapped E Minor arpeggios on different Strings:
      S   S  S   S   S S  S  S S S S   S  S   S S             
E||--12h-15-T19p-15p-12------------------------------|-------||
B||--------------------------5h-8-T12-8p-5------------------|-------||
G||-----------------------------------------9h-12-T16p-12p-9---|-------||
 
D||--14-h17-T21-17p-14-----------------------------|----||
A||-------------------------7-h10-t14-10p-7----------------|----||
E||----------------------------------------------12-h15-t19-15p-12-|----||
Of course you can invert tapped arpeggios as well, but I don't want this whole article be just full of tabs.
A few examples of two string E minor alternative picked arpeggios:
E||------------7----|-------||
B||--5----8---------|-------||
 
first inversion:
E||-------------12----|-------||
B||--8----12----------|-------||
 
Second inversion:
E||--------------15----|-------||
B||--12----17----------|-------||
The pattern for the Major arpeggio is: 1, 3 and 5. The root, major third and perfect fifth. To create an major arpeggio in the key of E minor, the notes are E, F#, G, A, B, C, D, E. You can make three major arpeggios in the key of E minor: G major, C major and D Major. G major would have the tones G, B and D. Even if the tones would be in a different order like B, D and G, it would still be a G major arpeggio. Its just inverted. The second inversion of the G major arpeggio would be D, G and B.
Here are a few examples of three string sweep picked G major arpeggios:
E||----------10h--15p--10----------|----||
B||------12----------------12------|----||
G||--12------------------------12--|----||
 
First inversion of the G major arpeggio:
E||----------15h--19p--15----------|-------||
B||------15----------------15------|-------||
G||--16------------------------16--|-------||
 
Second inversion of the G major arpeggio:
E||--------7h--10--7--------|-------||
B||-----8-------------8-----|-------||
G||--7-------------------7--|-------||
 
Here are a few examples of tapped G major arpeggios on diffrent strings:
E||--3h-7-t10-7-3----------------------------------|-------||
B||--------------8h-12-t15-12-8--------------------|-------||
G||----------------------------12h-16-t19p-16-12---|-------||
 
D||--5h-9-t12-9p-5-------------------------------------|----||
A||---------------10h-14-t17-14p-10--------------------|----||
E||--------------------------------15h-19-t22p-19-15---|----||
 
Here are a few examples of two string G major alternative picked arpeggios:
E||-------------10----|-------||
B||--8----12----------|-------||
 
First inversion:
E||--------------15----|-------||
B||--12----15----------|-------||
 
Second inversion:
E||--------------19----|-------||
B||--15----20----------|-------||
So I hope that my article helped you even a littel, I may write more articles in the future.

20 comments sorted by best / new / date

comments policy
    jani92jani
    Prostheta wrote: I presume that Jani is taking a well-deserved dig at people who can't spell "Finnish" and don't know the difference between your/you're Greetings from Luvia, Jani. Very good lesson! Were you taught this in peruskoulu, yliopisto or private lessons? Kiitoksi.
    I learned all of this from Music theory books.
    Tomas_slash
    I think you are missing something,when creating a minor arpeggio its easy to understand that you take the 1st, 2nd, and 3rd degree of E minor E,G,B (E,F#,G,A,B,C,D) but you didnt explain that you need to use the major scale for a major arpeggio which is (G,A,B,C,D,E,F#)the same scale but starting in another degree, I think it would be more comprehensible if you teach first the major scale being the first degree and the minor scale being the 6th degree. Major scale G-A-B-C-D-E-F# 1-2-3-4-5-6-7 Minor scale E-F#-G-A-B-C-D 1-2--3-4-5-6-7 Still it is a good lesson, but I just noticed some people were a little bit cunfused.
    JD Close
    Can you smuggle me into Finland? Also, do you know the Dudesons? Or any Blackened Death Metal Bands? Good article man
    SilverSpurs616
    E minor would have the tones: E, G and B. Even if the tones are in a diffrent order like G, B, E it would still be an E minor arpeggio. Its just inverted
    The notes are in the same order, but with a different starting point. I know this is a very trivial thing to point out, but people can be easily confused
    Aliens-exist182
    I wish people would work on the accuracy of their English before making a lesson. Aside from that, this is a very, very well done lesson, thanks heaps!
    Flibo
    It was a painful read. Please proofread articles before submitting them. Even the title is awkardly weird. A lot of the information is correct but it is presented in not a very concise way: For example, there is a list of inverted intervals that don't have much to do at all with the rest of the article. I'd also like to point out that although B E G is a second inversion E minor, so is B G E. What determines an inversion is the bass note. The other notes can be in any order. I'm sure it was made with a good intention, and I'm not sure if there are other articles on the same subject, but I'm sure you could've put a little more time on refining the outfit and grammar of this article.
    theogonia777
    very basic, but definitely well explained. i think this could be very useful for someone who is new to this sort of thing, and in fact it seems from the feedback here that it is already helping. good job.
    MaggaraMarine
    If it's not hard to understand what he is trying to say, then a couple of spelling/grammar mistakes don't matter. As long as you understand what he is talking about. For example I have seen many reviews with much worse grammar. I can't sometimes understand a word what the reviewer is talking about. Thank God, they have deleted the awful review of Epiphone Embassy Special bass. It was the worst review I have ever seen (if we talk about grammar).
    kverhoeve
    Apreciate you taking the time to spell this out. Who cares about stupid spelling errors! Come on people. Be thankful for what it is.
    Tomas_slash
    Sorry I made a mistake because Im new to this website, I dont know how to delete my comment and edit it, so I'll correct it one more time. Ignore the previous one. I think you are missing something,when creating a minor arpeggio its easy to understand that you take the 1st, 3rd, and 5th degree of E minor E,G,B (E,F#,G,A,B,C,D) but you didnt explain that you need to use the major scale for a major arpeggio which is (G,A,B,C,D,E,F#)the same scale but starting in another degree, I think it would be more comprehensible if you teach first the major scale being the first degree and the minor scale being the 6th degree. Major scale G-A-B-C-D-E-F# 1-2-3-4-5-6-7 Minor scale E-F#-G-A-B-C-D 1-2--3-4-5-6-7 Still it is a good lesson, but I just noticed some people were a little bit cunfused.
    Prostheta
    I presume that Jani is taking a well-deserved dig at people who can't spell "Finnish" and don't know the difference between your/you're Greetings from Luvia, Jani. Very good lesson! Were you taught this in peruskoulu, yliopisto or private lessons? Kiitoksi.
    jani92jani
    Tomas_slash wrote: Sorry I made a mistake because Im new to this website, I dont know how to delete my comment and edit it, so I'll correct it one more time. Ignore the previous one. I think you are missing something,when creating a minor arpeggio its easy to understand that you take the 1st, 3rd, and 5th degree of E minor E,G,B (E,F#,G,A,B,C,D) but you didnt explain that you need to use the major scale for a major arpeggio which is (G,A,B,C,D,E,F#)the same scale but starting in another degree, I think it would be more comprehensible if you teach first the major scale being the first degree and the minor scale being the 6th degree. Major scale G-A-B-C-D-E-F# 1-2-3-4-5-6-7 Minor scale E-F#-G-A-B-C-D 1-2--3-4-5-6-7 Still it is a good lesson, but I just noticed some people were a little bit cunfused.
    Ye, you are right.
    risewtf2
    I was having so much trouble finding an effective youtube lesson on this subject. thank you good sir!