Chord Theory Inversions

Through the use of chord inversions, you can find it much easier to learn chords on electric and acoustic guitar.

Chord Theory Inversions
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We've all been there. We spend weeks just trying to memorize those generic, open chord shapes when we're starting out, and usually, somewhere down the line, we forget them anyway from lack of use. But if we understood the theory that makes up these chord shapes, we'd have a much easier time remembering them. In my case, when I started moving into metal territory, many of the chord shapes I'd learned became unusable. Supposedly, according to my guitar teacher at the time for the few months I learned from him, open chords resonate weirdly with high amounts of distortion, resulting in off-key overtones. I have found this to be less true than he made it out to be, but at the time, I believed it. I was stuck with power chords. Boring, generic, sterile power chords, consisting of a root note, a fifth, which is an emotionless, boring interval that only serves to fatten up the chord a little, and an octave of the root note. This was great and all, except it was SO BORING. Then I realized, the way power chords are built, we can easily add a third, the interval responsible for the major or minor designation of a chord. Take for instance a C power chord, or C5, played on the eighth fret of the E string. This looks like:
E String - 8 -  C - Root              
A String - 10 - G - Fifth             
D String - 10 - C - Root one octave up
This shape strikes me as redundant, allowing for chord inversions to take place. The third of a chord, without getting too technical, can be found one string up and one fret down from the root note for a major chord, or one string up and two frets down for a minor chord. These are intervals of four or three frets respectively. So, to get these inverted chord shapes, we can lift up our index finger and take out the lower C, and use that finger to play a third. Therefore, a major inverted chord looks like this: Major
A String - 10 - G - Fifth
D String - 10 - C - Root 
G String - 9  - E - Third
If this were a chord played in the "piano" voicing, it would read C (root) E (third) G (fifth). But such a shape is uncomfortable for a lot of guitar chords, whereas this inverted shape, with the G (fifth) as the lowest note, is very grounded and stable physically. Pianists refer to this as the "second inversion" or "6/4 chord," while guitarists typically call it C/G (C-over-G), because it's a C chord with the G note on the bottom. Following the principles established so far, we need only "flatten" the third of the chord (lower it one semitone, a.k.a. one fret), to get a minor equivalent. So, a C minor chord looks like this:
A String - 10 - G  - Fifth          
D String - 10 - C  - Root           
G String - 8  - Eb - Flattened Third
This is referred to as a Cm/G (C-minor-over-G) because, again, it's a C minor with the G on the bottom. If a major chord is made minor by flattening (lowering by one fret) the third, we can give it an even darker sound by making it diminished, flattening the fifth as well. This looks like:
A String - 9 -  Gb - Flattened Fifth
D String - 10 - C  - Root           
G String - 8 -  Eb - Flattened Third
This is a Cdim/G (C-diminished-over-Gb). For one last shape, the last type of triad (three-note chord) we can play, we take a major chord and raise (by one fret) the fifth. This is called an augmented chord.
A String - 11 - G#/Ab - Fifth
D String - 10 - C - Root     
G String - 9  - E - Third    
This last chord is called a Caug/G# (C-augmented-over-G#). I hope you guys find this lesson on chord inversions useful, and can use this knowledge of chord construction to get away from simply memorizing chord shapes.

21 comments sorted by best / new / date

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    TheNameOfNoone
    Cool. While I already knew most of the things you explained, I never really thought about using them in SOME FREAKIN METAL! I like this article.
    Blurry 505
    Can we someday get some "lessons" beyond basics?
    KevinGoetz
    Actually, you know what? That's not a bad idea. Your first replier has a good point. What would you like to see "advanced" lessons on? Just throw me a list and I'll do what I can.
    GhostPlayground
    How about a lesson on how to use exotic scales to create chord voicings/harmonies. Most lessons i've seen on exotic scales merely provide a diagram of the scale, and very little else.
    KevinGoetz
    Consider it on my list! Not sure when I'll get around to it, but I'll be able to put this together at some point Any other requests? This makes it much easier to come up with new articles!
    TheNameOfNoone
    News flash: Nobody who isn't beginner is willing to share their hard-earned knowledge. Everybody wants to be payed for sharing knowledge.
    nagha
    Thanks for the lesson. I appreciate it. Don't lesson to the professional *****s on this site that like to tear down anyone who tries to contribute!
    slayvant
    I really enjoyed this and would like to see a follow up lesson with first inversion chords(chords with the 3rd in the bass). Thanks
    OfCourseNot
    Congrats, you figured out how to use the open "E" shapes higher on the fretboard.
    wasamuel
    and it took you how long to figure this out...
    KevinGoetz
    I don't understand comments like this. I never professed that this was some unknown secret that will make you a guitar god. As the comment majority proves, this was a helpful lesson for some, and that's all that matters. Why were you looking at an article about chord inversions if you already knew it so well?
    mickmarz
    nice contribution- however i think it would have been helpful to talk about how to use these chord types and how if there were more notes in the chord there would be more possible inversions. also- i dont remember seeing anything about 1st inversion (C/E). just my 2 cents.