Guitar Tricks

A collection of some interesting/weird tricks that can make your songs sound better.

Ultimate Guitar
Hiya! This is Eli, of the Eli Hunter Band. Here is some interesting/weird tricks that I use to make my songs sound new. All examples will be given in the key of C unless otherwise stated.

1. Borrow Chords.

Alright, this is probably the most common trick, but it is not without its power. When using "borrow" chords, you are taking chords from related key signatures (The most common being the relative minor and the parallel minor), and using them without totally changing the key. What does this mean? Okay, so say you are in the key of C (obviously, right?). The most common chord for you to use are Bb. Play C, Bb, F, C (The argument could be made that you are functioning modally, but if the rest of your song is in C, you're in C). I could get all theory-tastic, but I'll just say that try using the chord one full step below your tonic. There are plenty of articles that explain why this works, so if you want the whole story, read those.
  • Example: "Peggy Sue" by Buddy Holly, I think.

    2. Minor 7's to 6's.

    Okay, Here's a fun one. Take an am7 shape (I use x02213), and go to am6 (x02212). This gives a sullen, bitter jazz feel to your progression. If you wanted to get back to your tonic, you could complete the chromatic scale by going am7, am6, F major, C.
  • Example: "Happiness Is A Warm Gun" by The Beatles.

    3. Modal Changes.

    Use sparingly. In the key of C, go F, fm, C. If you want to make the minor extra wrenching, consider adding a six (Tritone Goodness!). Another degree to use this would be in the key of G (for ease and familiarity) to go am G D Amajor. So, either the fourth or the second. Got it? Good.
  • Example 1: "Creep" by Radiohead.
  • Example 2: "Little Black Submarines" by The Black Keys.

    4. "Jazz" Endings.

    This is the practice of not ending your song on a clean tonic chord. The most common is to end on the relative minor (Aeolian Mode, yo). That would be Am in C and Em in G. An interesting ending I've been using for 12 bar blues turnarounds is the parallel minor add major7 of the tonic. I do it in E, like so: 021000. A really shocking ending I've been fiddling with is to go to an Amaj7 (X02120) from Cadd9 (X32033). Finally, you always have ending on the parallel major if you are in a minor key (dm, D major).
  • Examples: I dunno. Let me know if you find any.

    5. Major 7 to Minor 7.

    Okay, this one's pretty simple. Take a G power chord (355---) and lower the top note one fret at a time (354---, 353---). Then, go to C or Em or something haha. If you wanted to, you could easily go down an extra half-step or two.
  • Example: "Meadowlark" by Fleet Foxes.

    6. Chord Inversions.

    Why wasn't this higher on the list? Okay, take a G chord (320033). Mute the bottom note (X20033) You now have an inversion. Pianists will call them first inversions, or second inversions, but most guitarists would call this G/B ('Cause the B is on Bottom). You can do this with any note of any chord.
  • Examples: "We Are Young" by Fun.

    7. Augmented Chords!

    This has been my favorite trick of late. Take a C triad (X320XX), and sharp the fifth (X321XX). A good chord to complete the chromatic slide is am (X02210). This gives a devil-may-care attitude jazz feel to your tune.
  • Examples: I dunno. "Groove Merchant" maybe? A lot of jazz uses this.

    8. 1, 5, b5, 4, 1.

    So, I do this one in E. It goes E (022100), B (X24442, or X24440, if you like 11's.) Bb (X13331), A (X02220), E. If you get the slide done in as few beats as possible, you'll get a funk feel out of these chords.
  • Example: I dunno.

    9. Extended. Freaking. Harmonies.

    This is one of the best tools, and most underused in any guitarists toolbox (I'm getting sick of power chords). Now, the most common one is the 7, but 9's, 11's, and 13's have a power about them. Now, fancy jazz fingerings are a bother to use, but there are some easy chord groupings with similar shapes. The first one is the family I like to call the "Hurr I Play Guitar Chords". This family has theses chords Cadd9 (X32033), G (320033), Em7 (022033), Dsus4 (XX0233), A7sus4 (X02233), and any other whatnot you choose to use. The common notes are of course, the D and G in the top two strings. The second family is what I like to call the "Flutter" Chords. In this family, we have C (X32013), Am7 (X02213), Fadd9 (XX3213), G11 (320013), and whatever else you want to throw in there. These chords are angsty as hell.
  • Example 1: "Wonderwall" by Oasis.
  • Example 2: "Michigan" by The Milk Carton Kids.

    10. Suspensions.

    This one's pretty simple. Basically, what you do is, you stay on one chord and move the third up and down. My favorite chord to do this on is D (XX0232, unless you tune to drop D and use 000232). Simply play D, then Dsus2, then Dsus4, then D again. You can also do this with dm (XX0231). Also, D5 (XX0235) is a fun variant to use. These chords make for a good bridge, I've found.
  • Example 1: "You Ain't No Sailor" by Marcus Mumford.
  • Example 2: "Thistle And Weeds" by Mumford And Sons. Alright, that's about it. Just some fun simple what-not to make your songs interesting. Cheers! -Eli.
  • 58 comments sorted by best / new / date

      These are tips, nor tricks.
      you want a real trick?
      I show all of my students this when I teach them fret tapping for the first time as he says about not needing a pick. Works amazingly.
      Can you guys help me? I tried the rabbit thing a hundred times, but i just cant do it
      thought he was gonna do a two hand tapping did not think a rabbit would just come right out wtf! lmao
      Not at all what I expected, but I'm pleasantly surprised. I can't wait to get home and try some of these out.
      Huge props to this guy. No BS, and the song examples really articulate his points. On another note, see that word 'articulate'? This is a Times worth review. recognize
      I have absolutely next to 0 theory training, I didn't even realize I was doing like 90% of these. Very cool... but make a proper title next time. Silly writer tricks aren't part of theoretical tips...
      Same for me... my training is "memorizing the things I learn from learning songs and reading tabs." Or more "stealing things from other songs and tabs"
      Hey guys, have you heard of the myth about making actual money while playing the guitar? Can someone make a lesson on this?
      I thought I'd get something like Herman Li's pacman-trick. But this is actually good!
      I've actually made songs, using all of the techniques you mentioned, and I didnt even know their names... Is this the part were I should be proud, or something?
      If the biggest problem people have with your lesson is that you called it "Tricks" instead of "Techniques" then I'd say you've done pretty well sir.
      The picture led me to believe I would be learning tricks such as 'The Windmill', and 'Playing with your Teeth' but this turned out to be far more useful.
      My favorite borrowed chord is the bM6. If you're in E major, try playing an E major chord and then go to a C major chord. A cool example is "crow and cackle" by the dear hunter. The chorus is I vi bVI ii V or A F#m F Bm E
      These are not really tricks on guitar. A trick is a technique,like,for example, a vibrato. Since you are politically incorrect in this lesson - only an 8 from me,sir.
      i don't get why a trick should be a technique. A trick could be anything. Vibrato is not a trick.
      Good article, well put and well cited. However, "Guitar Tricks" implies we're going to learn some weird stuff specific to the guitar. A more appropriate title would have been "Song-Writing Tricks". Still good though.
      I really wish people would stop talking about modes.
      He said the word mode once, within parenthesis. Maybe you shouldn't bring them up if you don't want to talk about them
      I wish people would stop talking about eight finger finger tapping, I mean I just don't get it so can everyone stop rubbing it in my face already?
      Modes are essential to music. So unless you don't want to understand music theory, deal with it. And if that is the case, why are you reading this article?
      why because you cant understand their importance? you cant talk about music theory without mentioning modes.
      Don't have anything to say about this other than I really like this article.
      The flat fifth is the tritone, not the sixth. Otherwise, these tips are decent for beginners.
      Under "Minor 7's to 6's", the author tabs out a transition from Amin7 to Amaj6 - just lowering the dominant 7th (G) to a major 6th (F# in the key of A) on the top string - but from reading it, it looks like he means 'go from a minor 7th to a minor 6th'. It sounds good, just wondered if that's what he meant as it isn't clear. Also, good lesson
      Edit - I was getting confused! He's right. A minor triad with a major 6th is still classed as a minor 6th chord. Also can be called 'minor major 6'.
      More theoretical if anything couldnt understand alot of it to be honest
      Examples on #4 jazz endings would be from Stone Temple Pilots - Creep. Actually and even better example.
      Let me know if Paul Gilbert writes something worth listening to. That was the most creative thing he's ever done.
      Loved the lesson. Opened up my mind a little, and re-recognized some of the changes in songs. Great job man. Now...let's have another lesson!
      Good article except I would have called it "Chord Tricks". When i read guitar tricks, I would expect stuff like how to do the pacman sound or being able to do something amazing with the guitar upside down or something aha.