Spicing The Chords

This article explains how I began to use more complex and harmonious chords, instead of simple major and minor ones.

Ultimate Guitar
This article explains how I began to use more complex and harmonious chords, instead of simple major and minor ones. Actually, when I first started doing this, I had no thought on music theory behind most of those chords, nor their names (though, through time I learned them). I only focused on how they sound, and what tones fit in each chord. I easily got it into my ears, which changes I can make on chords, for them to sound more exotic while not changing their function or nature. I believe there are 2 ways of learning how to implement complex chords. One is to know all the chords in theory and have them memorized, as well as their function in each chord progression you choose to play in. This way requires very big knowledge initially, before you can even start combining those types of chords. The other way is to take all the simple chords you have in your chord progressions, and change their intervals one by one, while noticing and memorizing the difference. This is what I talk about. I see chord progressions as multiple melody lines (directed intervals), played at same time. Take a look at this to understand me more clearly: This diagram explains the transition from Em to F chord. I see that transition, not only as 2 separate group of notes (chords), but as 6 synchronized melody lines. The numbers to the left say that E to F is 1st melody line, B to C is 2nd, and so on. Now, if I want to spice up the Em chord in this progression, I will probably start by replacing or adding one or more of first five beginning melody line notes with some other notes from designated key. I also usually leave the root note untouched, since that change would usually alter the function of that chord. So, let's try adding the note on 3rd melody line. Let's add A note on 2nd fret: First thing, don't worry that much about what's the name of that new chord (though, it's advisable to eventually go through all those chords you'll come up with and learn their name and function). Focus on how that sounds. Can you add some other note from that melody line instead of A? Let's try few of them: Not all added notes may sound melodic until you actually make a transition to F chord. Now, try to add the notes on 1st melody line: Notice yourself, which changes are more melodic than other. Which fit in which key. Try doing this on all melody lines. Also, try adding notes on F chord. You can use lower or higher notes, of course. For example: Another thing you can do is combine the melody line changes. For example, let's change 2 melody lines simultaneously: I'm sure that by now, you got lots of ideas going on. Apply this to all chord progressions you already know. Write out all those chords that seem melodic to you, and later on, learn their names. This approach is really good in songwriting, too. You would be surprised how much melodic ideas you can get by changing only 1 melody line. You can also transpose the chord octave higher. This gives you some new fingering options, you maybe didn't have before. For example: All of this, however, is only a small portion of what could be discussed through tons of pages, and it should act on you only as a push into this inspiration tomb. Enjoy! Official Josip Pesut site Enjoy playing Josip's 'Licks of the month'! Subscribe to newsletter to get free guitar lessons, notices about new videos and many other bonuses! Thanks For Your Support!

24 comments sorted by best / new / date

    Really interesting article, I like your approach to this more complex chords, but I honestly think it's kinda short though.
    Hey thanks! That's an Fadd9 chord. Play this: x----- x----1----- x---4-----2--- x--2-----5---- x-0-----3----- x-----1----- Let all the notes in chord ring, and tell me what song is that from!
    Josip, it's great to see someone submitting an article on chords. This is something I need to put way more attention on.
    Xx_banx wrote: sry -2- but -5- WHAT KIND OF UNGODLY STRETCH IS THIS?? -3- -1-
    Something Andy Summers from The Police used a lot well not in that form, but as a Fsus2(?) E 1
    by the way, take that same chord shape n see if u can figure out "every breath u take" the Police.
    californication, cool. teach the chord constrution. minor aolean scale/mode. 1 b3 5 b7. swap that 7 for a 2 and thats the minor chord u have there. why is a huge can of worms but i think u see where im going. dont give em a fish, teach em to fish
    Xx_banx wrote: sry -2- but -5- WHAT KIND OF UNGODLY STRETCH IS THIS?? -3- -1-
    Lol move it up a couple frets and play it. Sounds more dreamy than a paradise chord Good article man This is a great start.
    josippesut wrote: Ok! I'll be workin' on 'Spicing the chords part 2', then!
    yeah it's good I especially love your first diagram, the Em - F note transitions I slowly found out all that stuff on my own, starting to do my own chord progressions, but it is a great article to get into it quicker
    Awesome article, I lack a lot of chord practice but this first part was really easy to pull off. When I master it I'll continue with the next one, before this I was only doing maj7, 7, -7, -7b5 and diminished with the fundamental note on the 6th string or the 5th string.