Here's my roundup of the best amplifiers for blues and their notable users!
The Fender Twin is the amp that comes to mind when one thinks of the "stereotypical" electric blues sound. This amp was immortalized by legendary guitarist Stevie Ray Vaughan, who could really make it sing with the combination of his amazing talents and trusted Tubescreamers.The Twin offers spanky cleans and warm, articulate overdriven tones that are absolutely sublime when combined with single-coil pickups.Notable Users:Stevie Ray Vaughan, Johnny Winter, Ted Nugent, Eric Clapton, Billy Gibbons, Jack White, B.B. King
Similar to the Fender Bassman in tonal range, but I believe the JTM45 is better for overdriven sounds. The JTM45 was one of the seminal Marshall designs, and became a template of sorts for many subsequent amplifiers. While the JTM45 features more "sag" and less "crunch" than most Marshall designs are known for, the amp has been used by many great blues artists on stage or in the studio.Notable Users:Angus Young, Randy Rhoads, Eric Clapton, Jimmy Page
Class amplifier here. Originally intended for use with bass guitar, many early guitarists (and still many today) fell in love with this amp's warm, slightly-compressed sound. The tweed models are highly-sought after and sound incredible.Notable Users:Billy Gibbons, Buddy Guy, Jimmy Vaughan, Jimi Hendrix, John Mayer
This amp made it on two lists in our Essential Amps series, and for good reason. Since the 1960s, the Vox AC30 has been seen on countless stages, in countless studios, and has been cloned and copied (but never 100%) by countless boutique manufacturers.This is a go-to amp for many styles of music, and serves the blues well with its glassy cleans and stellar warm, mild overdrive tones. While usually not a first choice for hardcore bluesmen, make no mistake that this amp is quite at home with pretty much any style of music.Notable Users:Jimmy Page, Ronnie Wood, Rory Gallagher
Dumble Steel String Singer
Although any Dumble amp could be on this list, the Steel String Singer is another amp made legendary by one Stevie Ray Vaughan. It was a LOUD, clean amp with no overdrive but surely did it smoke.Obviously, it has a lot to do with the player, but Dumble amps sound as great as they are hard to acquire.Notable Users:Stevie Ray Vaughan, John Mayer
This amp was originally the brainchild of Eric Clapton, who needed a more portable amp with tremolo features. He requested Jim Marshall design it, and the Marshall Bluesbreaker was born. Due to it being a lower-wattage (around 35 watts), the amplifier could break up much more easily at moderate volumes as opposed to the standard 100 watt stacks of the day.Notable Users:Eric Clapton
Two-Rock Custom Reverb
Though Two-Rock has just recently come onto the scene, popularized by more modern blues artists like John Mayer and Joe Bonamassa, these amps remain among some of the most versatile on this list. Various features include a "mid defeat" switch, which scoops some of the middle and voices the amp a like a Fender, as well as a switchable power section for EL34 or 6L6 tube flavor.Notable Users:John Mayer, Joe Bonamassa, Matt Schofield
Dr. Z Maz 38 SR
It was hard to pick just one Dr. Z amp for this topic, as they make some killer amps that handle the blues quite well. The Maz 38 SR does the sparkling cleans to overdrive very well perfect for the blues. Not only is it possible to dial in great tones just going guitar to amp, but it makes a great platform for pedals. Tone and versatility are the name of the game here.
Fender Super Reverb
This amp excels at the Texas blues sound especially. Ideally suited for use with single coil pickups, throw a Tubescreamer in front and this amp will just blaze.Notable Users: Stevie Ray Vaughan, Albert King, B.B. King, Robben Ford
This amp made the list for one good reason it is one of the most pristine clean sounds you will ever find. Like the Dumble mentioned previously, this amp is a clean, loud amp and really responds to the player's picking.
Sovtek MIG 50
Similar to certain 50-watt Marshall heads, the Sovtek MIG 50 is sometimes referred to as a "poor man's Marshall," but that moniker is very misleading. Many compare these amps to various Marshall models and there are a variety of models from which to choose, just do a little research on which may suit you the best.
About The Author:Brandon Stoner runs Audio Ecstasy Productions out of Los Angeles, CA specializing in guitar and backline tech for touring, custom stompbox and cable design for stage and studio, audio engineering, and many other audio and guitar-related services.