The history of slide guitar goes back to Africa, where musicians playing one-stringed violins used bones or similarly shaped and smooth-surfaced objects to vary the pitch of their string.
In America, that instrument became the diddley bow. And from there the technique was transferred to guitar. Anyone who's heard Derek Trucks lately knows there's been considerable evolution since.
Here are 10 great slide guitarists well worth hearing who have played a key role in the style's advancement:
Columbia Records proclaimed this guitarist "King of the Delta Blues" decades after his death in 1938 at age 27. Although records by Charley Patton, the Mississippi Sheiks, and plenty of other Delta blues artists far outsold Johnson during his life, his posthumous popularity has fulfilled the label's wishful thinking. It has also made Johnson famously photographed holding a Gibson KG-14 one of the most influential early rural Mississippi slide men and led rightly so to the canonization of such Johnson recordings as "Cross Road Blues" and "Traveling Riverside Blues."
Watch Robert Johnson's "Crossroad"
This Texas preacher and gospel bluesman played slide in open D, a excellent tuning for his gruff vocal style on such classics as "The Soul Of Man" and "Nobody's Fault But Mine" the latter a stunning showcase for his nimble slide playing in both the high and bass registers.
Watch Blind Willie Johnson's "Nobody's Fault But Mine"
The great blues innovator is slide guitar's primary link between the acoustic and electric eras. Among the dozens of classics he created while minting the ensemble sound of electric Chicago blues are "Can't Be Satisfied" and "Rollin' and Tumblin'," which has been covered by Cream and a host of other notables. Only a handful of guitarists, in particular ex-Waters sidemen Bob Margolin and Paul Oscher, can recreate Muddy's distinctive, unhurried, whinnying slide tone.
Watch Cream's "Rollin' And Tumblin'"
James' hair-raising emotional resonance and burning intensity more than compensated for his lack of diversity. His open E sound on the gems "The Sky Is Crying," "Dust My Broom," and more is unmistakable thanks to his use of a hyperamplified acoustic guitar with a crudely attached pick-up. On top of that, James' crackling high-voltage singing is packed with thrills.
Watch Elmore James' "Dust My Broom"
One of the hallmarks' of Taylor's long career with John Mayall, the Rolling Stones, and as a solo artist is his thick-voiced slide playing, most often on a Les Paul Standard or an SG. Taylor's slide tour-de-force with the Stones was the rarely played Exile On Main Street jewel "All Down The Line," where his brawny exuberant style took the band back to their earliest blues roots.
Watch The Rolling Stones' "All Down The Line"
This late guitar legend is by far the most emulated and revered slide player of the rock era. Whether on a Les Paul or his cherry red SG, Allman achieved a buttery tone with a coricidin bottle for slide and a Marshall at his back. His most famous slide playing is featured on the Allman Brother's version of "Statesboro Blues" from Live At Fillmore East and on Derek & the Dominos still-inspiring story of lost love "Layla." Thirty-eight years after his death debate rages among hard-core Allmans' fans about whether Duane or Derek is the band's best all-time slider.
Watch Allman Brothers' "Statesboro Blues"
If you've heard ZZ Top's "Just Got Paid" or their rock radio classic "Tush," you've heard what Gibbons can do with a Les Paul and a slide. Often he'll tune to open A or open E before donning the metal tube. Just this month the Gibson Custom Shop has begun building exacting reproductions of Gibbons' most famous Les Paul: the iconic '59 Sunburst Standard the Texas guitar slinger dubbed "Miss Pearly Gates."
Watch ZZ Top "Tush"
Cooder has extended slide's blues roots in all kinds of directions starting with a traditional base and moving into Cuban music with the Buena Vista Social Club, African music with Ali Farka Tour, and just about any other direction in folk music he's chosen to travel.
Watch Ry Cooder's "Vigilante Man"
No less than the father of free jazz guitar, this late musical adventurer applied the trilling and modal explorations of John Coltrane to Gibson L-5s and Les Pauls, the latter plugged into a Marshall half-stack in the final years of his career. Sharrock's slide playing wasn't for the faint-hearted, but it was relentlessly adventurous and uncompromising.
Watch Sonny Sharrock's "Quartet 1"
This wild modernist's slide playing is perched directly on today's cutting edge and his influence is bubbling up from the jazz and psychedelic underground. A trip to the videos on Tronzo's MySpace page yields all the details of his unconventional, wailing and yet intensely lyrical style.
Of course there's plenty of other examples of slide genius out there Son House, Bonnie Raitt, Lowell George, Robert Nighthawk, the Edge, and Sonny Landreth, are just a few more.
Thanks for the report to Gibson.com.