Affinity review by Haken

logo Ultimate Guitar
  • Released: Apr 29, 2016
  • Sound: 9
  • Lyrics: 7
  • Overall Impression: 9
  • Reviewer's score: 8.3 Superb
  • Users' score: 8.9 (33 votes)
Haken: Affinity

Sound — 9
Haken are a progressive rock/metal band from the UK that released its first album in 2010. The band's albums have received widespread acclaim in the prog world and their last album, 2013's "The Mountain," was called a personal favorite by both Mike Portnoy and Jordan Rudess. Haken also recently made it into UG's news section when it was revealed that the band members hold full time jobs outside of the band, mostly as school teachers, explaining why the band's tours are usually limited to the summer months. Something else worth noting is that this is Haken's first album with bassist Conner Green, who replaced original bassist Thomas MacLean in 2013.

For someone new to Haken, the best way to describe their sound is that it is very much like Rush (clean, tight, and uplifting) but moves a little bit closer to Dream Theater in its complexity and how certain musical tropes are implemented. Whereas Rush, or at least early Rush, could easily be classified as rock, Haken seems to trend more in the metal direction of Dream Theater and more recent bands, such as Devin Townsend and The Contortionist, though Rush is still the most direct comparison one can make.

What differentiates this Haken album from previous releases is the degree of unity between the instruments. Even though there are sections of shredding that would usually count as guitar solos, I hesitate to call them that because of how precisely the other instruments move in line with the guitar. To put it another way, there is no lead instrument at any point on this album; everything moves as one body. A benefit to this arrangement is that the music attains a sort of precise beauty that would be hard to replicate live. On the other hand, sometimes the playing is so precise that it feels mechanical; every so often I question whether the drums are computerized.

YouTube preview picture

Given all this precision with the songwriting and execution, I am pleasantly surprised by some of the choices Haken made. Specifically, the value of their decision to use repetition across almost the entire album cannot be overstated. In keeping with the jam-feel of many jazz songs, progressive artists often do not afford listeners the mental reprieve that the repetition of a section can provide. Yet it would seem like repetition would be far more important to progressive artists than, say, punk artists because of the complexity of progressive music. Haken displays how repetition can be used in progressive rock/metal to achieve the best of both worlds between catchiness, which attracts listeners but fades quickly, and complexity, which can appear as a barrier to entry for many, yet provides lasting replay value. For example, I can easily remember the main chord progressions to most of the songs, but at the same time I am not tired of the album after a half dozen run-throughs because there are always new things popping up that are worth noticing.

Lyrics — 7
The vocals of Ross Jennings are the album's metaphorical icing on the cake. However, given his vocal style, it actually feels like they are the icing on the cake as well. Jennings' predominant use of his head voice gives the vocals an airy feeling that are an imbalanced contrast to the harder hitting parts of the album. But in the softer sections, like on the song "Bound by Gravity," the effect makes the song sound immaculate, on a level it could not reach otherwise. In an album full of variety, Jennings' vocal delivery comes across as especially restricted.

Lyrically, Jennings stretches to write about topics that straddle the line between fact and fantasy, ultimately dealing with far more than most rock albums do. The modern, tech-based ideas of the album force one to wonder why other bands have not dealt with these themes more frequently.

Overall Impression — 9
Fans are sure to debate which Haken album is their favorite, but I would argue that this album is the band's best release yet. The small margin of separation between the band's albums is a testament to their skill and songwriting consistency. Nevertheless, I would still say that the growth exhibited by the band on this album is enough to make it the band's best by a clear margin. For me, the biggest draws on this album were the guitar riffs and keyboard interludes, though I could easily imagine someone pointing to the drums, bass, and/or vocals as the best part(s).

"The Architect" is the song with the most to puzzle over. "1985," with its keyboard and drum patches that truly harken back to the '80s, might be my favorite song overall. One of the main guitar riffs on that song is also very similar to the riff from "BU2B," a song off of Rush's most recent album, "Clockwork Angels." Come to think of it, considering that Rush seems to be winding down as a band, it would not be a surprise to see Haken be the new torch-bearer for progressive rock. Though almost all of the album is great, two other songs stand out in particular: "The Endless Knot" and "Earthrise." Overall, this album has a decent shot at being recognized as the best prog album of the year come December. It is certainly the best one to have been released so far.

19 comments sorted by best / new / date

    FIrst time listener. I really dig The Endless Knot! Plenty to love about these guys, gonna go check out their other stuff...
    all of their albums are great, but check out The Mountain, by far their best album in my opinion.
    Anty 7
    They are really pushing their boundaries, I'm proud of them! The album is fantastic but I still think the Mountain is better.
    I'm not sure why people think it's hard to get used to this album, because at the first playthrough it seemed like it was exactly what I've been needing for a long long time. This album is amazing. The thing about Haken that I absolutely love is how they dare to go over the top without breaching into ridiculous territory, and how they are always able to pace the super hard-hitting with the mellow and uplifting, making albums you just can't get tired of. And when I say super hard-hitting, I mean The Architect. Holy SHIT. What a diamond of a track, so beautiful yet so DAMN HARD. The Haken guys did very well at asking Einar Solberg for his terrifying Ihsahn-approved screams to keep the hardness consistent, and it WORKS no matter what other people say. Favorite 2016 album so far.
    Summed it up perfectly for me. It's pretty much my AOTY, at least until Pain Of Salvation releases "In The Passing Light Of Day"... Either way, it's far better than The Astonishing...
    Mine too. At this point I'm pretty much torn between this one, Ihsahn's "Arktis" and Messenger's "Threnodies".
    More concise songwriting and many new elements, this time with an 80's flavor. Truly a genius band, they're the only ones who manage to merge old with new prog and make it work flawlessly, and they're definitely along with Leprous the best new prog band out there. At first Affinity may not click on everyone (and it definitely isn't for everyone), but after a few days of constant spins, I can say this is pretty much on par with The Mountain, and better than Aquarius and Visions, albeit different.
    Haken are one of my favorite bands. This album is great and '1985' and 'The Architect' may be 2 of my favorite songs by them(behind celestial elixir, nocturnal conspiracy, and falling back to earth, for now anyways)! That being said, I believe this album overall is sub-par from their previous releases. It just doesn't have the consistency throughout that makes all their previous releases so great! Maybe I need a few more listens to truly start to appreciate all the songs but at the moment this is my least favorite 'album' by them. Still a great album that I will continue to listen to for the rest of my life due to some truly spectacular songs, just not to the cohesive standards of their previous releases. 8.75/10
    I'm glad this album is being so well received, I love Haken, But to be honest, I'm not really digging this album. Maybe I just need to give it few more spins, but so far, I'm a little disappointed.
    Couple of new elements. Some of the same timing with solos/tapping etc as other albums. The Mountain and Aquarius are still leaps and bounds better.
    Aquarius is sooooo under appreciated IMO. I agree, Affinity is a good record, but nowhere near their previous releases.
    Very disappointed by this album. Lots of electronic elements and too many djent riffs for a band like this. Very distasteful use of both. Aquarius is still number 1 for me