Black Widow review by In This Moment

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  • Released: Nov 17, 2014
  • Sound: 5
  • Lyrics: 6
  • Overall Impression: 5
  • Reviewer's score: 5.3 Decent
  • Users' score: 5.6 (34 votes)
In This Moment: Black Widow

Sound — 5
Normally with metal bands led by a frontwoman, their sound revolves around a more melody-appreciating power that can complement the voice, oftentimes along the lines of symphonic metal (a la Epica, Lacuna Coil, or Within Temptation); though in rare cases, frontwomen have also shown to be formidable screamers/growlers (e.g. Walls of Jericho, Holy Moses, Kittie). In This Moment, however, decided to balance both tropes in their metal with their frontwoman, Maria Brink, which grabbed the attention of Ozzy Osbourne's bassist Rob Nicholson to take them under his wing as a manager, and helped get them a record deal with Century Records no more than a year after their formation.

After the release of their 2007 debut album, "Beautiful Tragedy," things would ascend smoothly for In This Moment; including being involved in a plethora of notable tours and festivals, and having their follow-up albums, 2008's "The Dream" and 2010's "A Star-Crossed Wasteland," properly expanding on the band's capabilities. Even after the band parted with Nicholson, they kept their momentum, and their 2012 album, "Blood," would end up being their most successful album to date, which would lead to In This Moment signing a new deal with the colossal Atlantic Records.

Now, with their debut album underneath the major record label, and fifth album overall, "Black Widow," In This Moment claim to have made their most unique album yet, and at face value, that's an accurate way to describe it. With "Black Widow" further traveling towards a more industrial/electronica-influenced metal sound that they were dabbling with previously in "Blood," there's a lot more emphasis on the synthetic melodies and beats and less emphasis on the conventional metal instruments - though the lead single off the album, "Sick Like Me," shows otherwise, being the only track that strongly banks on the band's former metalcore style. But for the most part, guitars and drums play more of a supporting role to the legion of synthesizers, drum machines, and post-production effects (i. E. Lots of stutter effect), so don't expect a similar display of instrumental acrobatics found in "A Star-Crossed Wasteland" on this album.

Though it's indeed a significantly new sound for In This Moment, in the grand scheme of things, it's easy to tell what/who is inspiring this new sound. If the overwhelming trend of injecting trap music elements into all kinds of music (yes, metal included) in the past year or so wasn't what inspired the 808-filled verses of "Sex Metal Barbie," then you could also tie that styling back to Mindless Self Indulgence and what they were doing back when they released "Frankenstein Girls Will Seem Strangely Sexy" over a decade ago. "Big Bad Wolf" emulates Celldweller's style of industrial metal, while the following track "Dirty Pretty" not only bears a Marilyn Manson sound, but the rough and swingy guitar riff and the low and throaty vocals unabashedly calls back to one of Manson's most recognizable tunes, "The Beautiful People." Even the old-timey sampling used in "Black Widow" is more or less taking a page out of Rob Zombie's book.

Then, of course, are the expected ballad tracks on "Black Widow" that showcase In This Moment's softer side, which thankfully hasn't been lost, but conjures some hits and misses. Brent Smith of Shinedown makes an appearance to duet with Brink on the power ballad "Sexual Hallucination," and while it may not top "The Promise," the duet Brink did with Adrian Patrick of Otherwise on "A Star-Crossed Wasteland," it still satisfies. "The Fighter" also has Brink in good form, as well as developing a more orchestral feel for the power ballad, with Brink playing the piano which is backed by string arrangements. But the band end up flying too close to the sun of theatrics with the final bout of the album - the penultimate dialogue track "Into the Darkness" comes off like an overwrought project for drama school, which ushers in the final ballad "Out of Hell," where the minimalist formula of the lone piano is cluttered by Brink's flighty vocals and some ham-handed samples of city sound effects.

Lyrics — 6
With the album title referring to the deadly nature of the female black widow spider, the primary theme found in the lyrics of "Black Widow" has Brink playing the independent femme fatale card stronger than in any other In This Moment album; though the choice to really commit to this by the fifth album seems like odd timing, seeing as Brink has always held that image since the band's beginning. Nonetheless, the theme runs strong here, though it also runs into repetition: Brink's one-finger salute to the judgmental haters she's amassed and suffered through in "Sex Metal Barbie" echoes again in "Natural Born Sinner," as well as her self-description as a dangerous anti-role model in "Sex Metal Barbie" also echoing in "Bloody Creature Poster Girl."

Along with the repetition, there are some conflicts in messages that make the album's lyrics not fit perfectly: the fatal attraction fantasy in "Black Widow" bears the context of unapologetic control over whomever Brink captivates, but the similar fatal attraction narrative in "Sick Like Me" expresses a mutual sadomasochistic relationship; and even though "The Fighter" has Brink expressing her independence stronger than ever before (definitely being the best track on the album lyrically), that message gets immediately contrasted in "Bones," where Brink confesses her dependence towards someone close to her that passed away. The boldness and strength Brink broadcasts throughout the album is commendable overall, but the stumbles are evident.

Overall Impression — 5
The most admirable thing about "Black Widow" is the ambition that fueled its creation. It's easy to tell that with In This Moment grasping the higher rungs of the ladder in recent years, they wanted to create a show-stopping album. As the stepping towards a more electronic rock sound has the band stepping away from delivering impressive instrumental work found in their earlier albums, it's only replaced with over-the-top production and no captivating experimentation expected of bands that urge to travel outside of their conventional bounds; even worse, it copies this "different sound" from more influential bands without much expansion. In attempt to make their biggest album yet, "Black Widow" ends up being a lot of sizzle and no steak.

24 comments sorted by best / new / date

    I never heard of this band until recently and I have yet to listen to them. What I find interesting is that half of the reviews for this album are praising it for sounding like 90's industrial rock while the other half are tearing it apart for sounding like 90's industrial rock.
    Apparently the focus is entirely on Maria and sexual theatrics. The band may as well not exist. Yawn.
    I'll have to give a listen. Am I the only one who really enjoys their lyrics? Some of the songs, like any band, are shit. But overall, they're pretty good.
    I loved their first 3 albums, but I just can't get into Blood and this new album. It's like she's trying to be the Miley Cyrus of metal
    I don't even give a damn about Maria being the main image of the band. I really love this album.
    As a band. they have done some good music. as generic as it still has a good heavy edge. Sure it may not resonate with some people, but i find it to be quiet catchy. be good background music for GTA V However, it's still better then most of the new shit genres of metal these days.
    Blood ruined this band for me. It sounds like pop metal. I don't think I am even going to listen to this album. Hopefully one day they will be a metal band again.
    That song was on the radio every night I'd drive home from work. Had to turn the damn thing off every time, and now I can't give this band a serious chance
    a drummer
    I saw them at Mayhem 2010. Had no idea who they were but i actually enjoyed this metalcore band with a cute blond girl literally screaming as hard as she possibly could into the mic. But this shit is terrible.
    I really liked blood, but this one just lacks something. Can't put my finger on it, but it sounds somewhat weak in comparison.
    i have loved everything this band did until this album. ive tried listening to it several times and can never get the hang of it. ive been an avid follower since their demo on myspace of "prayers" came out, so this is a big disappointment to me. 3.5/10
    Same herE. Been up and down with them since prior to that fist album. Can't tell you how much I disliked this album the first few times I heard it. I pretend like sex metal Barbie doesn't exist, and the album doesn't irritate me as much. This is just such a massive letdown, though. Especially after the bright spots of "Blood" showed the potential that was there. "Burn" and "Adrenalize" were good tracks.
    I saw this band back before they released their first album when they toured with Kittie & Walls of Jericho. I was a lot younger back then but they were what I was into. I haven't listened to their music since their second album release, but this newer stuff makes me feel like they sold out. What a shame.
    This sucks. Oooooo a female singer.... Big deal, she's not that hot and can't scream worth shit
    But she doesn't even have the saving grace of an innovative or interesting backing band. I honestly fail to see how these guys gained any popularity past the typical horny 14 year old youtube link hoppers.
    I didn't like it at first, but then I saw them live and this album slowly grew to be one of my favorite.