Closer Review

artist: Joy Division date: 01/25/2007 category: compact discs
Joy Division: Closer
Release Date: Jul 1980
Label: Qwest
Genres: Post-Punk
Number Of Tracks: 9
Joy Division was at the height of their powers on Closer, equaling and arguably bettering the astonishing Unknown Pleasures, that's how accomplished the four members were.
 Sound: 9
 Lyrics: 10
 Overall Impression: 10
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reviews (2) 15 comments vote for this album:
overall: 9.7
Closer Reviewed by: unregistered, on january 25, 2007
2 of 2 people found this review helpful

Sound: So I just read the only review of "Closer" currently on UG and decided that the album deserved a real review. So here goes. On Closer, Joy Division's sound is really quite different from the sound of the minimalist postpunk found on Unknown Pleasures. On the opener, Atrocity Exhibition, bassist Peter Hook and guitarist Benard Sumner swapped instruments, and the result is a very experimental, cacophonic guitar sound paired with a rhythmic bass complimenting the metronome drumming style of Stephen Morris. I mention all this because there is not other song that quite sounds like it on the album. A few tracks, "Passover", "Colony", "A Means To An End", and "Twenty-Four Hours" have much of the same minimalist guitar and bass parts in sympathy to one another, as seen on Unknown Pleasures, but on Closer the feel is less raw. Peter Hook breaks out his six-string bass on this album, which brings a less distorted bass sound, while the guitar style feautres less of the punk power chords found on UP, and more reserved riffs and licks show up here. The rest of the album features keyboards played by Bernard instead of guitar. The bass keeps the same sound, but the keyboards are always raw, keep in mind that it's 1980 and they're on a relatively small indie label. These guys aren't using The Human League's keyboards. These cheap keyboards keep the same atmosphere as the guitar does, but the sound has a greater range, upbeat on the electro "Isolation" to very silky and subdued on the piano-led "The Eternal". So Joy Division remain the kings of atmospheric rock, but the means by which they create that chilling atmosphere has expanded on Closer. // 9

Lyrics: Can you argue with Ian Curtis? His haunting baritone is in full force on this album, except he's probably a bit more on key in this album, since they're getting away from that punk rawness and towards a more creative postpunk sound. His lyrics are, as always, fantastic, with many songs featuring "that line" that he drills into your head, ex.: "This is the way, step inside", "I put my trust in you", "This is a crisis I knew had to come", and the unforgettable closing line "Where have they been?". The lyrics of course, are terribly depressing, as this album is generally regarded as Ian's suicide note, but this album more or less defined the term "dark beauty" overused by so many. // 10

Overall Impression: Everyone who listens to Joy Division is either a "Closer" person, or an "Unknown Pleasures" person. It might take a while to find which one you are, since, let's face it, each album is more or less perfect. I personally am an Unknown Pleasures person, as I enjoy a more cohesive album, whereas Closer jumps between guitar-based songs and keyboard songs so much that Closer feels more song-oriented, not album-oriented. However, that doesn't mean that Closer is not a great album. This is an important album in rock history. From the disjointed Atrocity Exhibition, to the epic Decades, Closer is Ian Curtis' suicide, an final album that never intended itself to be a final album. Closer built the bridge from punk to new wave, and it's legacy can been seen across the board in music since. Put simply, this album f--king rocks. // 10

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overall: 9.7
Closer Reviewed by: rawn, on january 12, 2007
1 of 6 people found this review helpful

Sound: An album to listen to crying in a graveyard while trying to hang yourself from the pale mocking moon, Closer will not save your life, but help end it with a suitably miserable soundtrack. Released shortly after frontman Ian Curtis had committed suicide the album is really rather bleak and sombre, from the mausoleum gracing the album cover to the desolute and hopeless soundscapes created by the band and shaped by Martin Hannett's defining production; it's enough to make even Santa cry then leap down the chimney of suicide to fill a stocking with his coffin. The sound is an evolution from "Unknown Pleasures" and the typical post-punk sound so imitated by the arty British bands of today. The trademark Peter Hook bass is still there, but the guitar is now far more understated, replaced with synths that go from mournful to rhythmic (best illustrated by the epic closer to Closer "Decades"). // 9

Lyrics: The lyrics are all poetic and deathly depressing, delivered in Ian Curtis' trademark cold and distant deep voice that has a beauty all of its own. At the time his marriage was collapsing and he was caught in a morbid mess between two women and this is reflected in his songwriting, though far more vaguely than in the seminal "Love Will Tear Us Apart". // 10

Overall Impression: Although it doesn't contain any of their most well known songs, this is still the most important Joy Division album. It reflects the articulate depression of the singer and the originality of the band in such a perfect whole that like all great albums it manages to somehow add up to more than the sum of its gothic parts. There's a kind of magic to it, a dark magic, like it's been made by the Spirit Of Sadness itself in her Palace Of Woe. In Manchester. All in all, the ultimate post-punk album and a must for any who considers themself truly emo or a fan of alternative music in general. RIP Ian Curtis. Beneath Macclesfield. // 10

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