Beautiful Stories For Ugly Children Review

artist: Mushroomhead date: 10/12/2010 category: compact discs
Mushroomhead: Beautiful Stories For Ugly Children
Released: Sep 28, 2010
Genre: Alternative Metal
Label: Megaforce Records
Number Of Tracks: 12
Mushroomhead's seventh studio album doesn't throw out too many surprises, although rhythmically the band is at the top of its game.
 Sound: 7.5
 Lyrics: 7.5
 Overall Impression: 8
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reviews (2) 39 comments vote for this album:
overall: 7.7
Beautiful Stories For Ugly Children Featured review by: UG Team, on october 12, 2010
2 of 3 people found this review helpful

Sound: Beautiful Stories For Ugly Children a quirky title inspired by the 80's comic book of the same name does take various twists in turns thematically/emotionally and does indeed relay a bit of a storybook feel. That being said, the seventh album by the alt-metal band Mushroomhead isn't necessarily a huge musical departure. What does stand out on the 12-track record is the fact that drummer Skinny has taken his playing up a notch, which allows for the often-chugging guitars to have a much more interesting backing. The core songwriting doesn't leave a huge impression upon the first listen, but the variety of rhythmic movement and overall lyrical content does keep things moving along smoothly.

The opening track Come On was also selected as the band's first single, and it's easy to understand why in terms of commercial success. Out of all of the songs on Beautiful Stories For Ugly Children, Come On is the one that screams anthem. With an in-your-face chorus that could easily be the theme song for any sporting/wrestling event (if they're okay with the F bomb, that is), Come On will appeal to plenty of listeners by its bravado alone. While it's not the most impressive in terms of its arrangement, it should undoubtedly open some doors for Mushroomhead.

Elsewhere on the album, results are often inconsistent. You do have a good number of tracks that follow the usual alt-metal format, but there are some gems in the bunch. Burn The Bridge showcases some very interesting time signature choices, with the guitars and the drums seemingly doing their own thing at a few moments. I'll Be Here incorporates children singing la la la within the chorus (making for a somewhat creepy vibe), while Harvest The Garden features an intro that is driven by Skinny's insanely cool primal drum beats.

There's a satisfying mix of tempos throughout Beautiful Stories For Ugly Children and is never mired by the same setup over and over again. In one moment you might have The Feel, which could be considered the sexiest track with its slow groove and intriguing harmonies by both Nothing and Waylon. In the next moment you have Darker Days, a number built around straightforward riffs and chugging guitars. The band knows how to wrap it all up effectively, selecting the pensive-yet-slightly-eerie Do I Know You? a slowly creeping track that once again utilizes sampling of a child's voice, producing an eerie effect in itself. // 7

Lyrics: There's a wide range of approaches to the lyrical content on the album, and even with the clichs that abound in the single Come On there are moments of cleverness. That particular chorus is pretty standard and screams for a sing (or yell) along, but the verses do have their moments (I've got my hammer, duct tape, Visqueen; I know that nobody believes me; I've got something to say; Born in my bloody reign). At the other end of the spectrum is the self-reflection of The Harm You Do or what seems to be an ode to those who have died (and possibly war victims) in Holes in the Void (Come take your part in the haze; Days remembered in vain; Dreams forgotten, depraved; So many fallen away). No one theme permeates Beautiful Stories For Ugly Children, and that contrasting aspect is a huge plus. // 8

Overall Impression: Musically the band doesn't stray too far away from its comfort zone. Yes, there are plenty of samples and interesting synth lines that pop in and out of the songs, but the core songwriting is still fairly expected from Mushroomhead. The rhythm section jumps out a bit more this time, as well as the harmonies and various layers on the tracks. In the end, fans of Mushroomhead won't be disappointed by the album, which emotionally can connect with listeners on many levels. // 8

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overall: 7.7
Beautiful Stories For Ugly Children Reviewed by: I'mmaBaseball, on october 21, 2010
1 of 1 people found this review helpful

Sound: Apart from a brief outro solo on "Almost Gone" from XIII, Mushroomhead never really bothered with guitar solos, instead letting its keyboards, samples, and haunting vocals define the band's sound. Here on "Beautiful Stories For Ugly Children", guitarist Gravy explores new playing styles. "The Harm You Do" has a very bluesy tone throughout (almost reminiscent of Load-era Metallica), "Your Demise" features shredding to its full degree, and "Come On" boasts an aggressive riff only backed by the gang vocals. Outside of the guitar, the band's keyboard, provided by Schmotz, has not changed. Whether it provides haunting passages or soothing melody, the keyboard has always been the primary instrument of Mushroomhead, and nothing much has changed on "Beautiful Stories for Ugly Children". Standout tracks on keyboard include "I'll Be Here" and the album closer "Do I Know You?", which provides that moment of clarity we all could use. One of my favorite songs on here is "Inspiration", which boasts a Mortal Kombat-esque intro and a great rhythm to boot. // 8

Lyrics: The trend of lyrics that stare the world right in its face and rip it apart continue on "Beautiful Stories for Ugly Children". It isn't so much the lyrics itself that wow me, it's how they're delivered. Waylon switches from his J Mann screaming on "Inspiration" ("A storm is coming to hell with redemption, save yourself and hear the word of the fallen") and "Burn The Bridge" ("Burn the brides and try to tie the lies together in verses of worship and pain, all that remains") to soulful crooning on "The Harm You Do" and the epic closer "Do I Know You?" My complaint about "Do I Know You?" is that it ends before it's properly built up, and is centered around only four lines. Waylon's vocal delivery makes up for it though. As for Jeffrey Nothing, he belts it out stronger than he ever has. The highlight for Jeffrey has to be "Come On", where you can tell he's prepared to go to war with his enemy - be it his haters, politicians, or anyone looking for a scrap. // 7

Overall Impression: When I listen to this album, I definitely hear the side projects creeping into Mushroomhead's core sound. Songs have me reminded of Jeffrey Nothing's solo album ("The Feel"), Tenafly Viper ("Come On"), and Ventana ("Darker Days"). They have found a way to mix in their newest outings with their older material, and though it doesn't break ground, it definitely sounds fresh. I thoroughly enjoyed this album, and look forward to seeing where Mushroomhead's evolution takes them next. // 8

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