Altered State Review

artist: TesseracT date: 05/20/2013 category: compact discs
TesseracT: Altered State
Released: May 27, 2013
Genre: Progressive Metal, Experimental Rock, Djent
Label: Century Media
Number Of Tracks: 10
Definitely one of the best modern progressive albums to come out in a while possibly the best to be released in 2013.
 Sound: 9
 Lyrics: 10
 Overall Impression: 9.5
 Overall rating:
 Reviewer rating:
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reviews (2) 119 comments vote for this album:
overall: 10
Altered State Featured review by: UG Team, on may 20, 2013
5 of 17 people found this review helpful

Sound: TesseracT is a relatively new band, having formed in 2007 and at the time being considered one of the founding bands of the djent movement. Acle Kahney, founding guitarist, started working on what would come to be known as "djent" in 2003 at the same time as a few other guitarists at the time. They would post what they were working on at in order to get feedback and this is where their style slowly developed. The band was formed over time, being completed in 2007. This consisted of Acle Kahney on guitar, James Monteith on guitar, Amos Williams on bass, Jay Postones on drums and Abisola Obasanya on vocals. From here the lineup has been stable except for vocals which has changed several times and currently Ashe O'Hara does lead vocals since 2012, with bassist Amos Williams providing backup vocals. Their first album, "One," released in early 2011 and now two years later we have their second full length studio release, "Altered State." The first single released from the album was the track "Nocturne" which released on October 12th, 2012 and was also provided as a free download from Century Media's SoundCloud account. The entire album was made available to stream on May 12th, 2013. The album is divided into four "movements" ("Of Matter," "Of Mind," "Of Reality," "Of Energy"), with a total of 10 tracks. The entire runtime of the album is just over 50 minutes. If you haven't heard TesseracT before, I would personally describe them as a "djent" version of Coheed & Cambria without the comic books. That comparison is just to give you an idea of their sound as TesseracT isn't any kind of copy of anyone else. This is definitely the type of album you want to listen to in its entirety. It would be a disservice to break it down in any kind of track by track analysis, but I will provide some tidbits from the album. Some of the high points of the album are the bass line from "Retrospect," and the saxophone (provided by Chris Barretto) on the tracks "Calabi-Yau" and "Embers." The guitar work throughout the album is flawless without soundling soulless, and my hat is off to both Acle Kahney and James Monteith. I'm honestly a little confused by the term "djent," as I understood it to be riffs on 7 string guitar using a lot of muted percussive sounds by that definition then this album is relatively djent. However, this does not sound anything like Periphery or Animals As Leaders. If you have any doubts about this album, the full stream is available online and the song "Nocturne" is still available as a free download. Listening to "Nocturne" will absolutely destroy any doubts you have about purchasing this album. // 10

Lyrics: Ashe O'Hara does an outstanding job, providing powerful vocals with a great range, going from a fairly mid-ground low to soaring highs. Amos Williams' backing vocals are a perfect compliment to Ashe's vocals. I'm a huge fan of metal that is actually sang versus growled, screamed or grunted and this release is scratching a big itch for me. I know they've had a lot of issues keeping a vocalist, but I hope Ashe sticks around. The lyrics are pretty deep and stick to the concepts behind each "movement" on the album. Here is the first verse and chorus from "Nocturne" which is off of the "Of Mind" movement: "Climb (you're dehydrated )/ Fly (your wings are jaded)/ Cry (you're enervated)/ Die (for what you believe in)/ Try (you've nearly made it)/ Why (why why why)/ You're the plague within my dreams/ Soaring through an atmosphere of an adequate lack of strength/ And we're responsible/ the truth is that it will end here/ Denial's an impairment of your fear/ Can we save us from ourselves? / Can we save us from ourselves? (This is the savior and it's form...)" // 10

Overall Impression: I was completely blown away by "Altered State," plain and simple. This is definitely one of the best album releases so far in 2013, and THE BEST in the realm of progressive metal. My favorite part of the album would have to be the "Of Reality" and "Of Energy" movements, but this could be just because that was the most recent parts I heard. I definitely have to give this album the highest possible rating. I don't have a single negative thing to say about this album. // 10

- Brandon East (c) 2013

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overall: 9
Altered State Reviewed by: BuriedAlive7x, on may 30, 2013
6 of 6 people found this review helpful

Sound: "Altered State" is TesseracT's second studio album; it's the first studio release to feature vocalist Ashe O'Hara, who took over vocal duties following the departure of Elliot Coleman (vocalist on the "Perspective" EP) and Daniel Tompkins (vocalist on the debut album "One"). "Altered State" is divided into four sections: "Of Matter," "Of Mind," "Of Reality," and "Of Energy," it has a total of 10 songs, which add up to approximately 50 minutes. The album was recorded, mixed, and mastered at 4D Sounds Studio; a studio owned by the main composer of TesseracT, Acle Kahney. Track Review/Highlights: ---------------------------------------- Part 1: Of Matter "Proxy" What a great way to open the album, it has characteristics from older songs as well as new elements. The song begins with a very fresh/ethereal voice accompanied by atmospheric guitar notes that set the mood; it's very similar to that of "Lament" from their previous album "One." The guitars slowly fade in with a clear/light-distorted riff; it definitely has that TesseracT feel to it. Two memorable parts of the song are at: 1:35 - 2:48 and 3:02 - 3:25. The music is at its finest during these parts, both vocally and instrumentally; they bring great pleasure to the ears. In short, Proxy is a very cinematic piece that presents new ideas and makes a good impression. "Retrospect" - Like the previous song, it starts off with a very heartwarming voice; the instruments that tag along create a nice atmospheric background; there's nothing too crazy in this song, it's actually pretty straightforward. The part that really stands out is from 3:54 - 4:45; the vocals are catchy as well as loud and intense, it definitely satisfies. "Resist" - The song begins with a very pure and natural atmosphere, it's actually very heaven like. The song moves on to the next phase; it changes with a quick drum roll leading up to the balanced guitars/bass, which are accompanied by the catchy and soaring vocals of Ashe O'Hara. The highlight of the song is from 1:40 - 3:09; the final lyric/word "RESIST" sounds so alluring and hopeful, Ashe adds a whole new meaning to it. ---------------------------------------- Part 2: Of Mind "Nocturne" - Here's the first single from "Altered State"; as far as guitars go, this has one of the heaviest guitar parts in the album. The song opens with a crushing/rich guitar and bass tone, it's pretty unique, the rhythm is very tight and dynamic. Nocturne brings constant change in tempo; some parts are mellow, yet some are a bit tense. The part that always gets me goes from 3:12 - 4:00; during this section, the instruments work really well; they sound very pure and modern. Ashe sings the final lyrics "WAKE ME UP" with so much passion and clarity; the angelic voices in the background make this part even better. The studio version has an extended instrumental ending, which has a nice groove; the bass playing is very smooth and thick. All in all, this song was a great choice for a single; the chances of a new listener liking it are high. "Exile" - Being the longest song on the album (8:50), this song takes a more progressive approach. It starts with a very massive and focused guitar riff, definitely one of my favorites; it makes you want to continue further on. The singing at 3:23 - 3:48 is very uplifting and divine, and moreover, the song takes you into a calm and quiet state, with the guitars playing "echoey" notes and light-distorted chords. The next part of the song starts with a very nice drum fill (5:33 - 7:10); this is definitely the highest point of the song, just go and take a listen. "Exile" ends with a very memorable/dreamy bass part; more heavy guitars later accompany it. All in all, this song is very involved and captivating, without question, one of the best. ---------------------------------------- Part 3: Of Reality "Eclipse" - This song opens up with a very strange intro, in a way it sounds a bit demonic/evil. As far as guitars go, this song showcases the band's signature style of playing. There's a specific rhythm at 2:37 that caught me by surprise, I've never heard anything quite like it before, and then again it seems to work perfectly. Following that is one of my favorite parts of the whole album (3:20 - 3:58), the transition is perfect; this specific section presents some of the best singing on the record, the clean guitar melody and puzzling rhythm make this section work really well, this combination of guitars continues to the end, making it more enjoyable. "Palingenesis" - This is one of the shorter songs on the album; right from the start this song hits you with a very nice bass/guitar combo, nothing to out of the ordinary, despite that, it makes you want to keep listening; moments later the second guitar and vocals come in, completely changing the mood. The section at 1:14 - 1:38, is a very enjoyable part; the vocals flow very well, they seem to match the rhythm perfectly. The song ends with the same bass/guitar rhythm as in the intro. "Calabi-Yau" - Here we have the only instrumental song on the album, as well as the shortest. This song features Chris Barretto (Ever Forthright) on the sax. The intro has a very peaceful and gloomy atmosphere, which is cast aside by the heavy guitars and jaw-dropping sax solo that come in at 0:41. Overall, this is an outstanding and unique track; I didn't expect TesseracT to release a song like this, and I'm sure many other listeners didn't either. ---------------------------------------- Part 4: Of Energy "Singularity" - This is the second single, as well as the first to have a music video. It begins with a faint/hollow guitar riff, and suddenly the loud vocals hit you hard; the song moves forward with a very progressive riff/tempo. A stand out part of the song is 4:50 - 5:20; it has a very delicious and surreal bassline, without question, one of the best parts in the album. The section following that (5:32 - 6:12) has a very inspiring/enjoyable vocal section. Overall, this song is driven by so much emotion; there's good vibes all around, it definitely shows the progression of the band. "Embers" - Here's the last song on the album, the intro has a very peaceful mood it features a soft voice, it almost seems whispered, but is shortly interrupted (0:38) by the heavy guitars and Ashe's final lyrics "WAIT INSIDE THE FIRE." The song ends (2:06) with a clean chord progression, which goes hand in hand with the colorful saxophone melody; it creates a great sense of hope. Overall, it's a great way to end the album. // 8

Lyrics: The lyrics on "Altered State" are very well written and open to interpretation. Ashe O'Hara is definitely the perfect fit for TesseracT; his voice throughout the record can be described as "passionate, pure, and intense." Without question, he has an amazing voice, you can't deny that, he delivers great melodies and keeps things interesting; the lack of screamed/aggressive vocals is evident (there is none), but at the same time, I feel like it doesn't hurt the band, this album does fine without them, like I said the singer finds a way to make things interesting; the highlights I mentioned above are very impressive and unforgettable. // 10

Overall Impression: In conclusion, this album is a great example of modern progressive metal; the band shows a lot of progression throughout the ten songs. Their performance on this record is really tight and evolved, it's a big collective effort, all the instruments have their moments, and they are well balanced. For the most part, every song was made to impress (no fillers). With the release of this album, a lot of bands in the same genre might want to step up their game. I highly recommend the following songs: "Exile," "Nocturne," "Singularity," and "Calabi-Yau." // 9

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