Praises To The War Machine review by Warrel Dane

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  • Sound: 8
  • Lyrics: 8
  • Overall Impression: 9
  • Reviewer's score: 8.3 Superb
  • Users' score: 9.1 (24 votes)
Warrel Dane: Praises To The War Machine

Sound — 8
Seeing that Warrel Dane's debut solo album is produced by former Soilwork guitarist-gone-producer Peter Wichers, it comes to no surprise that the production issomewhat Soilwork-ish. However, Warrel Dane has his own unique vocal and lyrical style, so that is more or less where the comparison ends. The album of course isn't a melodic death metal album, or whatever genre Soilwork belongs to at the moment. It's more of a metal/hardrock crossover album, as the genres listed above would suggest. Thus, the sonical comparison between this and Soilwork is purely on how the instruments sound, not how they are played. Not a whole lot can, or needs to be said regarding the production - it's slick, well balanced and very unsurprising. Fans hoping for Warrel's solo project to be reminiscent of any random band, say, Darkthrone, stop reading here. Fans hoping for more song-oriented and easily digested material with huge choruses - do keep reading. Instrumentwise, it's very standard. Guitars, bass, drums, vocals and then some samples here and there. Hardly anything unique, but also nothing to complain about.

Lyrics — 8
One of Warrel Dane's strengths in Nevermore is definitely his ability to pen through-provoking and meaningful lyrics. On Praises to the War Machine I'll stick out my head and say that he has written some of his finest lyrics. The lyrical subjects are not really revolutionary - some personal issues, some thoughts on religion and faith and some touching on politics. But it is not the topics that matter, so much as what is actually being said, and how. Opener When We Pray deals with no matter how much we pray, nothing seems to happen. Like nigh all other tracks, it has a big chorus where Warrel doesn't hold back on his beliefs: The world is ruled by fools and thieves, their flare for power and taste for greed. Also featured on the album are two covers - Lucretia My Reflection, originally by The Sisters of Mercyand Patterns, originally by Paul Simon. Lyrically, you could almost believe that Warrel had written them, especially Patterns. Warrel would probably be the first to admit that he takes a lot of inspiration from Paul Simon and his work. The vocals and lyrics are the focal point of this album, as opposed to a more standard metal album where you could expect the instrumental sections to balance the vocals, and luckily for us, the listeners, the lyrics and vocals are damn good.

Overall Impression — 9
One of the many qualities of this album is that it plays to it's strengths, those being Warrel Dane and the ability of Wichers & Wicklund to pen songs tailored to his voice. As I listen to the album, a decent comparison would be what Roy Z did to Bruce Dickinson in the late 90s: write songs in which the vocalist can fully express himself. Instrumentally, there's not much to get excited about, except for the guestsoloing by renowned guitarists Jeff Loomis (Nevermore) and James Murphy (ex-Death, ex-Testament). Sadly, those are only instrumental adventures we're treated to, which is a shame. Perhaps somewhat of a paradox, but the greatest strength of the album is also it's greatest (and only) weakness. The album is so focused on the song and the chorus, that the riff and the solo is somewhat forgotten. There are no great riffs that'll have you walk around humming them for weeks, but there're so many great vocal melodies present, that the absence of good riffs is almost unimportant. As for the songs themselves - make your pick. Messenger with it's almost weak and frail sounding verses, the killer cover of Patterns with the soaring pre-chorus or the haunting chorus of August, they're all great songs. A rare feat in today's music business, but this album does not have any bad, or subpar, or filler, or turdy songs you want to skip. It's just a solid, rocking album-oriented release filled with killer 3-5 minute tunes whose choruses will stick on you faster than chlamydia. Let's hope this album works as a primer for Warrel, so he's as focused on the upcoming Nevermore as he was on this.

18 comments sorted by best / new / date

    mibe wrote: hey, maybe you just need to improve your writing skills...? ;
    There's nothing wrong with the way the review is written, in fact if compared to 99% of the other reviews on this site then it may as well be Charles Dickens.
    shantanupatni wrote: Sounds like just another Nevermore album
    No, it's pretty different compositionally. Just because it's Dane doesn't mean it's Nevermore.
    I love Nevermore, and will check this out, I am glad it's not gonna be something that sounds like Nevermore and just has a different name(like when Luca Turrilli did his own first few albums, Rhapsody with another name). Wasn't Jeff Loomis supposed to be releasing a his own album that was mostly or all instrumental work?
    you keep talking about how average the album is, how "expected" and "standard". there's not much to be excited about. yet it scored 8.3... review on the reviewer: warrel's and nevermore's songs always need time to grow on you. even if the solo project isn't that complex (a fact i've heard from many listeners) and more accessible than any nevermore album, it would be a good idea to listen to it twice before stepping up to the reviewer's stage... maybe the review is ok. nothing revolutionary, you know. a little talking about some topics. just look that you don't have any bad, or subpar, or filler, or turdy passages you want to skip when reading. hey, maybe you just need to improve your writing skills...? ;
    Ash on fires
    Interesting title. I thought this was going to involve Zao somehow. How disappointing
    man warrel dane pwned sooooo much more when he was in sanctuary; i ****ing love that band
    this album defintally made my top 5 list so far this year, though i like Lucretia My Reflection more than Patterns
    I don't see why it's so bad that it doesn't focus on instrumentals when it's a vocalists' solo album. If it was a solo album from a guitarist or something then ya, but this is to show his singing abilities .
    Good album, agree mostly with the review, except I don't think Danes vocal performance is as good as some of his work with Nevermore. That said, the songs suit and work better with his voice.
    I like this album, it's an interesting departure from his Nevermore albums. Lucretia my Reflection is a firm favourite already.