Wildkat Review

manufacturer: Epiphone date: 03/23/2016 category: Electric Guitars
Epiphone: Wildkat
The Epiphone Wildkat is an archtop semi hollowbody electric guitar with a happening retro look and sweet tone courtesy of two Alnico-V P90 single coil pickups, tune-o-matic bridge, set maple neck and Bigsby trem. The longer string length of a Bigsby trem improves sustain.
 Sound: 8.8
 Overall Impression: 8.5
 Reliability & Durability: 8.3
 Action, Fit & Finish: 8.5
 Features: 8.3
 Overall rating:
 Reviewer rating:
 Users rating:
reviews (4) pictures (5) 40 comments vote for this gear:
overall: 9.6
Wildkat Reviewed by: Kurt1964, on april 06, 2009
17 of 17 people found this review helpful

Features: Well the 2006 Epiphone Wildkat that I proudly own, was made in Korea. However, it was assembled in the Epiphone Factory's "Custom Shop", right here in the "good old" U.S.A. The neck of this axe is made of maple. And rideing on it's top, is a 22(jumbo)fret, 24.75" scale, ebonized Rosewood, Dot inlay fretboard. It's hollowbody "single cut-away" Archtop construction (which is slightly larger than a Les Paul), has a maple top, complete with elongated "F" holes. It's sides and back have a unique, "multible-slab", Mahogany construction concept employed unto it. The finish of this one is Transparent Orange, with the thickest coat of polyurethane that I've ever seen, or felt, on a guitar. On to the hardware. All chrome. Two Alnico V-P 90 pick-up's, and a heavy duty Bigsby Tremolo with a (permanantly) mounted swing arm. The machine heads are non-locking Grovers, which reside on a classic, 1950's headstock! This beast has one master volume, two sub-volumes, and one tone control, along with it's three-way switch. Added note "no pick guard at all"! // 10

Sound: Well I like to play a lot of "arena" rock, from the early 70's. I.e. Zeppelin, Sabbath, etc. However I had no idea that this guitar could be as versitile as it is, punk, grunge, alternative. Your tallent, and imagination, is it's only limit! Take my word for it, this guitar can "growel" like a bear, and "screech" like an eagle! The amp that I have is the Line 6, Spider III, 30. And with this guitar, "clean", is the way to go. // 10

Action, Fit & Finish: As far as the factory "set-up"? Well, what can I say? It was set up by Epiphone's own, "Custom Shop". The "set-up" was outstanding! The action is set low, and, (due to it's fret scale)(and it's hollowbody construction), it's supposed to be. Play it, and you'll understand why. The only flaw that I've found, is a slight "overlap" of black paint on the Bigsby trem. Otherwise, everything was sensational! // 9

Reliability & Durability: Unlike the Wildkat with the "Tiger finish and the gold hardware", this, (and the other "transparent" finished Wildkats), keeps it's durability (it's finish does'nt wear away). It's construction is made to last. Dependability? No worries there at all. Reliability? Well put it this way. Nothing about this guitar has ever let me down. I have never even concidered bringing a "back-up" with me when I go out to jam! In other words. I'll bet my last dollar on this guitar. And win! // 10

Overall Impression: The style of music I play, like most musicians, is constantly evolving. And for the genres of music that I play, this Epiphone Wildkat keeps up with me quite well. Before I bought this one, I tried out several other versions of this guitar. I.e., Gretch, Guild, Ibanez etc. And as for versility, in my opinion, the Wildkat has them all beat! Though I kind of wish it had a pick-guard. Yet playing without one, has forced me to play with more finese', which I'm actually using to my advantage. If this guitar was ever lost. Well, that's one thing. If it were ever stolin? I would hunt down the person who "stole" it, and take it back! This guitar totally "rocks", in all ways, shapes, and forms. So if your looking for a new guitar, definately give the Epiphone Wildkat a serious audition. And as always, rock on! // 9

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overall: 9.4
Wildkat Reviewed by: williamsanders, on may 31, 2007
9 of 9 people found this review helpful

Price paid: $ 756

Purchased from: Piens Deinze

Features: 24.75" scale length, 1.68" nut width, 22 medium semi-flat frets on a set in maple neck with rosewood fretboard sporting pearloid dot inlays (Gibson dimensions, same neck as a LP, SG), big headstock with 3+3 Gotoh tuners sporting the "E" of Epiphone. thinline/archtop rosewood body with a laminated maple top. Binding around the neck and the front of the body. Solid Turquoise finish (PU I think), one "venetian" cutaway. Two chrome passive P90 "dogear" singlecoil pickups, Bigsby tailpiece, sporting the E instead of Bigsby and Epiphone under the roller bar. Tune-O-Matic bridge. 1 Master Volume, located on the lower horn, 2 Volume pot's, one for each coil and a Master Tone, all three located at the lower F-hole and a 3-way switch on the upper horn. No pickguard. Normally no extra's, but I received for J50 additional costs a Epiphone HSC, a leather strap and a 3m cable. // 9

Sound: I play almost everything except Metal, Trash R&R, you know, the heavy stuff, and I have to say: "Gosh, what a sound". You can really play all kinds of music with this guitar. The neck pickup gives you the warm, smooth and polished sound you need for Jazz and other soft genres, while the bridge pickup gives you enough punch to play a nasty R&R solo la Ron Wood. I run this guitar through a Boss ME-50 and as amp I use or a Vox AD-50VT or a Fender Bluesville Deluxe. The guitar gives much output, a bit too much IMHO, much more as my Strat or tele, and the sustain is incredible. // 9

Action, Fit & Finish: When I bought it, the people of Piens (the music shop) already set it up and intonated the thing, so I have no idea how the factory set up was. You can't properly adjust the pickups, because they are mounted directly on the maple top, but you can adjust the single magnets, it was done well, maybe a little to close to the strings, but that's a matter of taste. The guitar is made very properly, no finish flaws, bad quality hardware nor construction, and most important. It gives no noise, nothing, probably it comes because the whole interior of the guitar was painted in shielding paint. // 10

Reliability & Durability: This guitar is near "Bullet-Proof", you can't dent the finish at all, and it is really solid for an archtop. After 7 years, the only thing I had to tighten on this guitar was 1 screw holding the nameplate on the headstock. The strapbuttons are bigger than those on a Fender, so it's nearly impossible to drop this guitar due to "strap failure." I can use it without backup on a gig, but I always take a second guitar with me, because you'll never know. // 10

Overall Impression: For the genres I play, you can't find a better guitar in this price range. I agree, a Gretsch is way much better, but you pay 5 to 10 times as much for these. I play the guitar now for about 8 years, and the Wildkat can be placed next to my Fender USA Strat, Rickenbacker 360 and Gibson Firebird. If it was stolen, I would replace it directly, no doubt about it. The thing that's really cool about this guitar is also the thing I sometimes don't like. The controls. The master volume is a blessing if you won't harm your pickup settings, but due to the fact you only have one master tone knob, the sounds you can generate are limited, you can't play both pickups out against eachother, which is a pity. // 9

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overall: 6
Wildkat Reviewed by: ek79582, on june 06, 2012
2 of 4 people found this review helpful

Price paid: $ 300

Purchased from: Guitar Center

Features: This link has all of the specs and features. To be honest, when I ordered it I was not really sure what color I was pleasantly surprised by the orange. It's got the right mix of irony and class thats needed for us humble guitarists. The look is really what sets this guitar apart. Obviously if you have specific things that you're looking for in a guitar that this one doesn't have you will be disappointed but it met my requirements of 22 frets and an attractive hallow body with the cutout. The features are not bad but they are a bit frustrating. The tuning is is fidgety and the whammy bar (?), or whatever it's officially called, can have a large impact on the tune. For instance you may use it and find that the high 3 strings have gone way out of tune. However, I realized that instead of trying to retune every time i can just push the bar in or pull it out to try and find the proper tune again. You can imagine the problems and frustrations that go along with this. // 6

Sound: I go through many different phases during which I listen to many different artists and music styles and as always try to learn the songs I'm listening to and enjoying at the time. I do have some constants though such as the obvious ones of Hendrix, Led Zep, and that class of music, I also hold the strokes above all other humans and I'd be lying if I said Valensi's guitar didn't have an impact on my desire to have an epiphany hallow-body. This guitar is awesome for covering "Led Zeppelin 1" songs like "How Many More Times" and "Communication Breakdown". Its can produce that low E power and crunch that just gets inside your skin. It also sounds great for the strokes style of songs. I really don't like playing the blues on this guitar though especially because of the touchy tuning. It just doesn't hold up to constant string bending and being pushed to bring out some emotion. I also would not call it a versatile guitar as far as the range of sounds that can be produced. There is variety but sometimes it feels like the tone nobs are just a layer on top rather than infused with the sounds of the guitar. I'm not sure if that makes sense but basically it sounds cheap if you mess around with too much bass or other settings at the extremes. If you like crunchy power chords and just loud drawn out sounds, then I don't think you'll be disappointed but you should make sure to limit your expectations. Honestly the best part about the sound of the guitar is that I can play it unplugged and its a perfect volume between an acoustic and solid body electric. If you have roommates or neighbors and can't turn on an amp or play an acoustic, this does the trick. // 6

Action, Fit & Finish: I didn't realize how bad the setup out of the box was until I had it set up at the music store I use. The low e string was pretty high up off of the fret board and it just felt like they figured I would have it setup anyway so why bother. Also, I'm under the impression that everyone has a little different preference as far as this goes so it's playable out of the box but not the way I like it. As far as the neck goes, I'm not a huge fan of the way Epiphones/Gibsons feel. They just seem a bit thicker than I would like and it's now clear it's not something I can just get used to. I'm not really sure what else to say. there's nothing about it that's bad or wrong but if I didn't like the way it looks so much I probably would have returned it or sold it by now. It's a preference thing and as far as feel while playing I continue to prefer my Strat unless I'm covering Led Zeppelin. // 6

Reliability & Durability: I've had this guitar for about 8 months now and used it for practice and while playing with a band. It feels solid and I don't anticipate any problems. I do, however, make sure I handle it very carefully because I don't trust it. I would never trust this guitar with a child or in a situation where it my not be handled with reasonable care. I don't think this is the type of guitar that can be left unattended in a garage or attic for an extended period of time and come out sounding nice. I make sure to take care of it as far as cleaning it when I change the strings and taking it in to make sure the neck does not start warping. I live in Florida so the temperature change between indoors where it usually stays and outdoors where it inevitable must experience during the course of travel is great and always worries me. Honestly, it's a $300 guitar which is a lot to me but compared to the rest I realize that they charge a lot more for the guitar they put a lot of time and solid materials into. At least I hope this is the case; they could just make them all then pull a number out of a hat and hope our brains are properly trained to be biased towards the ones with a higher price tag. I played with this guitar for 2 shows and during the first it stayed in tune throughout and for the second it refused to stay in tune for a whole song. I would play this guitar without a backup BUT, I would never take this guitar onstage if I did not have a tuning pedal to make quick tweaks in between songs. Again the tuning is strange because there doesn't seem to be any reason behind the changes. Sometimes it will stay in perfect tune for 2 hours while I'm practicing, or even be in tune after not being played for a couple days. Other times, it will slip for no reason or, oddly enough, I will pick it up and all of the strings will be sharp. I assume a lot of this has to do with the whammy bar (which makes tuning frustrating because tightening one string changes the rest and finding the perfect balance takes time and patience). I've decided that my next purchase will be a new bridge that is fixed because as much potential as the bar has for making all kinds of cool noises, I just don't find myself using it enough and it's really not worth the tuning hassle. Basically I've decided that I like having it and when I have some time/money, I'm going to make an effort to make some changes (new bridge, tuning pegs, maybe a different pickup if I find myself playing more jazz) I think it has potential but I'm treating it with great care right now. // 5

Overall Impression: I'm 22 and I've been playing guitar for about 6-7 years now. I'm very happy guitar playing has become a part of my life. It has forced me to become very passionate about music and explore many different types of sounds, feelings, and emotions. As I write this, I'm listening to Miles Davis "Kind Of Blue" but I've also been in a minor David Bowie phase (listening to the song "The Supermen" over and over again-great drum beat) for a couple days and have been a steady "Starf--ker" fan for almost a year now. I like everything that goes along with guitar playing including the debates and arguments over equipment, talent, music, the reviews of different equipment, listening to people play in music stores as well as the awkwardness of actually trying to figure out whether a guitar will fit your style without bothering other shoppers or seeming like you're trying to show off. Now back to this guitar. I play this guitar and my Strat through a Fender Hotrod DeVille, which is almost impossible to sound bad through and as bulky and annoying as it is to move around, I can't bring myself to sell. The Wildkat caught my eye because I don't really like playing the Les Paul, but I also didn't want the full cello that is most hallow bodies. It's lighter than I expected and with an all white strap, it just looks too good while playing. I know I don't have the most trained eye when it comes to looking at a guitar and realizing its quality but overall its been solid and I can't complain. I know I should care more about the tone and such rather than the way it looks or the way I look playing it but give me a break, I'm only human. I most certainly have a good ear and if it really sounded bad, it would definitely be gone by now regardless of looks but I can't complain for the price. If it were lost or stolen, I would not buy it again but only because I would want to try a new guitar. While I think they should put a little more time and effort into making this a top of the line guitar, and therefore more expensive, I would not buy it if it were more expensive because things do get lost and stolen and I refuse to own an item that is worth enough to really steal or would make me generally act differently towards. Assuming I do join the real world and get the job, family, and such nonsense, I still think I'll happily stay in the $300-$500 range. It just seems like the right price for a musical instrument that is both solid and enjoyable to play, but also morally justified. I'm sure I'll go through phases of playing more or less and I don't really want the guilty feeling of having a couple thousand dollar guitar just sitting against the wall collecting dust. While the Wildkat is definitely on the cheaper side of that range, I've never felt like the neck will separate from the body while I'm playing or anything like that. Again, I really like the way it looks. I ordered it online (shame, I know) without playing it or seeing it and I really wasn't sure and/or didn't mind what color I was going to get as long as it wasn't the natural. When I opened the box and saw the Orange I was pleasantly surprised. It's not over the top or in your face but it definitely catches the eye and has a seductive appeal. Although I prefer the feel of the start, I still like playing this guitar and I feel it's mostly a preference issue as to whether or not you will like the way it feels to play. I really don't like the bridge/whammy bar/tuning situation and changing the strings is a B-TCH. While writing this review I have officially decided that my hunt for a new bridge has begun. I recommend this guitar on the condition that you have reasonable expectations. I think it would be very frustrating if this was the only guitar I owned. It is big and not the most comfortable for long practice sessions. Also, I think definitely meant to be played while standing. It takes some care and some work to own and it is still an ongoing process but overall I'm still glad that I have it and look forward to owning it and working with it for a long time. // 7

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overall: 8.8
Wildkat Reviewed by: m_hland10, on march 23, 2016
1 of 1 people found this review helpful

Price paid: $ 324

Purchased from: Guitar Center

Features: When you first look at the Wildkat, it shows a lot. It has 2 P-90 pickups that sound perfect, with a 3-way selector switch that you would see on a Les Paul or an SG. It has 2 volume controls for each pickup, a master tone, and a master volume on the cutaway, which is the greatest. The body is a single-cutaway, so there is a decent amount of access to those top frets. The body is not exactly a true hollow body or a semi-hollow. When you look in the F-holes, you can see there is a block underneath the bridge, but the rest is hollowed out. The body is thicker than an ES-335 and about as big as a Les Paul with a little weight. The bridge is a tune-o-matic with a Bigsby. I've heard people complain about the Bigsby, but I can go wild on the strings with it and they stay in tune. The handle is a little stiff, but I like it personally. The neck is a Slim-taper profile, which is relaxing and I've grown accustomed to it. The tuners are Grovers. The whole thing, except for the top and fretboard is mahogany if I remember right. And it sounds like it too. The top is flame maple, although maybe not quite the grade they have on Les Pauls, but it is like the Fender acoustics. The fretboard is rosewood with dot fret markings. The default strings are D'Addario 10-46's. // 8

Sound: Normally, I play a jazz or blues style. I also do worship band. This guitar can easily grab these tones and completely own them. You can honestly go as far as some metal on it before the feedback problems become too much. It can sound like a Casino, Telecaster, or a rolled-off Strat. If you stretch a little, you can get a Gretsch or ES sound. The clean tones that the guitar produces are amazing. Our guitar player in the jazz band loved it instantly just based on sound. I play on a Fender Mustang or Princeton and add effects either by amp or by the one overdrive pedal I made from the overdrive circuit from a Marshall Bluesbreaker. The sound is full and pretty close to the acoustic sound. The Bigsby is definitely a nice touch to it. Texas dirt also sounds great on this guitar. Also, it's great to play in a bed room, because it's loud enough without an amp to play acoustically for practice or for relaxation. // 10

Action, Fit & Finish: The guitar was very well made. There are a few flaws in the paint job is you look close, but that's it. The action is a little low, which threw me off, but I like it. And it has a Tune-o-matic bridge, so you can fix that if you want. The wine red finish with cream binding is beautiful and classy-looking. The intonation is very good. The truss rod rattled for a day or two, but stopped. The fretboard looks a little faded, but that's how it came, and I personally like it. One of the other guitars at the store had some warping in the neck, but I figured that was because of how they were storing that one. Could be wrong. // 9

Reliability & Durability: This guitar is great for worship band, jazz combos or jamming with friends. Great studio guitar. Outside, as with most hollow bodies, the tuning gets a little off. But it's perfect for a streetside gig. As long as you're not competing with a jet for volume, you should be fine. The strap buttons are actually better than a Les Paul's, in my opinion. This guitar is super reliable thus far, and is always like a rock. As long as you treat her right, she'll be there every night. The pickups are oxidizing already after several months and same with the Bigsby handle. You may be able to treat that, but it's not noticeable. The paint is solid and the frets seem to be too. The binding on the neck doesn't show any signs of wear and neither do the tuners. // 8

Overall Impression: For jazz, blues, worship, rock, country, and maybe some indie-type stuff, this guitar can nail it. The value is incredible (I think I bought the guitar for the price of the materials) and it's worth every penny. I've been playing for a few years, after adding guitar to saxophone, but I can keep up with guys who've been playing longer. The other guitar I have is an Epiphone Les Paul (100, but there's not much difference in anything), but that would be comparing apple to oranges. They are both two great guitars. If someone stole it, I'd be ticked, because I'm used to the nuances of this particular guitar, but I'd go out and get a new one in a heartbeat. Definitely a good first hollowbody, if not good first electric. The fact that it's such a unique guitar makes it hard to compare, but I'll put it up against a Gretsch, Casino, Les Paul w/ P-90s, or one of the Casters any day. It's mostly in the player, but it's great to practice with anywhere. The guitar is mysteriously heavy, but I'll take that for the tone it gives. What I want to try with it is a Lester G pedal. Maybe it would sound cool. Everyone I've let play on it so far has liked it, and it's been an eye-catcher wherever it goes. Not as attached to it as my saxophone, but it's close. Go out and at least try one. If you don't like it, that's alright, it's your preference. If you do, buy it. It's 100% worth it. // 9

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