G5434 Electromatic Pro Jet
tornadogr41, on march 22, 2015 2 of 2 people found this review helpful
Price paid: £ 400
Purchased from: Dawsons Music
Features: Low score for how it looks, but the way the hardware performs is saddening. The tone knobs are very tacky in how they are fitted, my master volume knob is close to starting to fall off. The tuning pegs are very small and with a high ratio, so tuning precisely takes some getting used to. The pickup switch keeps loosening itself as well. There are no fret markings after the 17th fret which is disappointing but the guitar was very nice for its price range. No included accessories except for the receipt. Pickup config is 2 Filtertrons; Bridge, Bridge and Neck, Neck. // 7
Sound: Clean or distorted, the sound is epic. The pickups output is quite high, so when you switch to a clean tone the noise will blow your ears out! It's awesome. You can do some pretty good pinch harmonics, and clean or distorted touch harmonics sound great. It has better sustain than my Gibson SG Special Faded, which is surprising as that's what the SG's pride themselves upon. But my SG couldn't hold 3 seconds on the 22nd on high E, where as the Gretsch will outrun it for miles. It can get a decent twangy clean sound, but not like a Fender Stratocaster can. // 10
Action, Fit & Finish: The action arrived fine, the finish is very pretty. Full white body with cream binding, chrome hardware and pearloid pickguard, rosewood fretboard and hump-block inlays. There's no denying it is beautiful. However, beauty comes with a price. The tremolo is great, for light tremolo, go to far and the tuning is gone all around. Not a flaw, it's not designed for it.
Major string slipping mainly on the loathed G string. The pickup switch is rather sloppy, not solid and as I mentioned, the tone and volume knobs are loose. Note definition on all frets is great, you won't skip any frets due to fret wire misplacement, its perfect. Great strap locks. If it weren't for the hardware letting it down, it'd get a 10. High score because of the amazing finish and looks. // 8
Reliability & Durability: This guitar could handle live playing, but I wouldn't knock it about. The hardware let's this guitar down but It's still very playable. The knobs are getting wobbly as the time goes on, and I'll have to give them a glueing in. Pickup selector is constantly unscrewing itself but I use the bridge pickup 90% of the time. The strap locks are great, very very solid. I would use it on a gig without a backup in it's current condition, few years down the line, I would probably use a backup. Finish seems like it won't fade away, I've knocked it a few times and have been COMPLETELY unable to find the scratches on it which is mind boggling. Can't even see any dents on the input plate. It's like it's made out of solid diamond and been painted over. // 9
Overall Impression: I play grunge, classic rock, metal. It is a great match. It has a very serious versatility to it's sound, its fairly high output but very clean. Been playing for around 8 years, my other guitar is a Gibson SG Faded and the gretsch is a clear favourite due to the SG's sustain and sound dying. I would have asked about the hardware's quality before buying. If it was stolen or lost I would buy it again without even questioning myself. I love it. The way I can go from clean, smooth sounds with light chord tremelo is great for jazzy, blues and things like that, and it sounds great distorted and can pull off great harmonics. I hate the tuning knobs, and the nut slippage. My favourite feature is the whole guitar all around. Compared it to a Gretsch Double Jet, it just didn't sound as full as this one. It was a clear winner and I took it home with me. I wish it had bigger machine heads and a locking or rolling nut. // 8
G5434 Electromatic Pro Jet
shamu1, on august 01, 2014 1 of 1 people found this review helpful
Price paid: $ 315
Purchased from: eBay
Features: My 5434 was made in China, but I don't know what year it was made. I've always looked at the Pro Jet line as Gretsch's own version of the Les Paul, and this is no different. This Pro Jet model has the hardtail tailpiece, so no Bigsby. I much prefer the look of the hardtail (Bigsbys are ugly as sin), but now that I've spent some time with this axe, I feel like it's missing a key component to being a Gretsch guitar. Let's face it - if you can't bend full chords because there's no Bigsby, it just doesn't quite sound like a Gretsch. I bought the two-tone sunburst version, and I love the look. The body and neck are fully bound, giving the guitar a cool, high end vibe. Gretsch also gets a huge thumbs up for putting Blacktop Filtertron pickups in as stock pickups - an enormous improvement over the lousy, muddy sounding "Gretschbuckers" they used to put in their 5100 series Electromatics. The Blacktops are much hotter, they have a much wider dynamic range, and are much better able to produce that Gretsch twang than the Gretschbuckers. The tuners look and feel great - they have a cool vintage look and feel tight and substantial; most importantly, they hold the guitar in tune well. All this for only $399 US as a typical street price, and you are talking serious bang for your buck. It looks, plays and sounds like a $1000+ guitar, seriously. // 9
Sound: I mostly play on clean setting, and I like to play jazz. It's not my first choice as a jazz guitar, mainly because the pickups are a little too high output for my taste, meaning that the sound gets distorted early. The way I remedy that is I roll down the master volume a little on the guitar, but I mean JUST A LITTLE, because the volume controls are very sensitive, too sensitive even.
I rarely play with distortion, but when I'm playing this guitar, I can't resist. This axe freaking SCREAMS when it's overdriven or played through a distortion pedal. It's got that low end grunt of a Les Paul, but with just enough brightness to give it a piercing, wailing sound when distorted. This would make a great guitar for classic heavy metal music.
On clean settings, the 5434 has a unique tone. It sounds like a cross between a Les Paul, a Strat, a Telecaster (in bridge position), and a guitar with P90 pickups. Plus, best of all, when you have the treble knob on your amp set all the way up, you get that awesome classic rockabilly twang that only a Gretsch guitar can produce.
I do have a big gripe, however, with the electronics. The tone is useless, and I can tell this was an area where Gretsch tried to cut corners. The knob basically is nothing more than a tone "ON/OFF" switch - you won't notice any change in tone unless you turn the knob almost completely to the left. The volume controls are almost as useless, but for the opposite reason - they are way too sensitive. Rolling the volume down will clean up the tone, but it will also cause a huge drop in volume and power. The electronics are therefore very frustrating to use, and should be replaced without delay if you plan on keeping your 5434 for the long haul. // 8
Action, Fit & Finish: My guitar was set up beautifully right out of the box. I had to adjust the truss rod a little bit because I changed the strings to heavier gauge strings, but I think it took me five minutes to set up the guitar.
The guitar feels sort of like a lighter, slightly slimmer Les Paul, with a somewhat longer neck. I totally love the way the 5434 feels and plays. I was able to lower the strings to almost a hair away from the frets with almost no buzzing, which is not something I can say about most guitars I've owned. The neck feels just right - it's not quite baseball bat thick like a '50s Les Paul, but it's not flyswatter thin either like the 2013 Gibson SG Standards. It's the perfect size for me, and I have big hands, and it allows me to go up and down the neck quickly and smoothly. The fretwork is also flawless.
My one gripe is that I wish I could lower the pickups more. I have them screwed down as far as they'll go without breaking the screws, and the pole pieces are still a little too close to the strings for my comfort level. I play mostly jazz, so I don't like a booming, high output sound. The tone for jazz is good on the 5434, but a little too intense; I need to roll back the master volume a tad when I play jazz with it. // 9
Reliability & Durability: Like I've said in another review, I'm not a professional musician, and I don't play live, so my comments are going to be limited on the issues of reliability and durability. Regarding durability, though, what I can say is that the urethane varnish on the body and back of the neck appears to be bulletproof. I'm not sure anything could damage this guitar. I think if I slammed the guitar, Pete Townshend style, into a concrete piling, the piling would take more damage than the guitar (slight exaggeration, but you get my point). Like I said before, the tuners look and feel firm and solid, not flimsy and cheap. My one and only gripe with my 5434 is that the metal and tone knobs keep coming loose. Fortunately they have a little screw on the side that you tighten with an allen wrench, which will tighten them back up, but it's kind of annoying nonetheless. Not a big deal, though. // 10
Overall Impression: Gretsch have scored a grand slam with their entire 5400 series of Electromatic guitars, with the biggest improvement being the stock Blacktop pickups. The 5434 is no exception. This guitar can do it all, like most Gretsches, because tone-wise it's got the bright sharpness of single coil guitars like a Strat, it's got the deep, rich, bassy warm undertone of a Les Paul, it's got the sharp twang of a Telecaster in bridge position, it handles both clean settings and distortion really well, and most importantly, it gets "The Gretsch Sound" when you want it to. The only thing lacking is a Bigsby. It's as good as a Gibson Les Paul (trust me, I've owned seven of them), but it's even more versatile. You'll never be embarrassed being seen onstage playing a Gretsch 5434. // 10
G5434 Electromatic Pro Jet
Zhaezzy, on september 29, 2014 1 of 1 people found this review helpful
Price paid: $ 360
Purchased from: Sam Ash
Features: Year 2014 made in China, 22 fret 24.6 scale length medium frets Maple neck with rosewood fingerboard hump inlays. Has a carved maple top on a chambered basswood body. It is done with a bound gold top finish with black back and sides Gloss poly finish. Body is a single cut similar to a Les Paul but with a longer lower bout (actually a Gretsch Jet body shape). Tune-O-Matic bridge stop tail (unlike vintage Jets which had a trapeze tail) Passive electronics black top flltron mini humbuckers. Controls are the usual Gretsch jumble with master volume 3 way switch and volume for each pickup and a master tone. Bridge and neck pickups. Tuners are vintage type but they stay in tune. Comes with a allen wrench. Give it a 8 only because of lack of a gig bag or case. // 8
Sound: Sound is downright gorgeous. Bright and chimey with a full body sort of like the prized child of a relationship between a Tele and a Les Paul. The sustain is the best I have had in a guitar to this day. Notes can ring in excess of 20 seconds and that is with out an amp on headphones. No noise is great too the pickups are not that high output for those used to that they have an output similar to a stock strat pickup but the sound is why you have them and you can always pile on more gain since they are humbuckers. The unplugged sound is actually quite loud due to it being chambered and the combination of woods it is a great morning quiet acoustic // 10
Action, Fit & Finish: Action is quite low and very playable I am more used to Fender necks o I like a smaller radius but this works and with a little time playing it it became second nature. The vintage looking tuners do a surprisingly good job. I like the shiny knobs and they have arrows to tell where you are. The nut is cut just right and just need a little tuning out of the box the intonation was spot on. It would be a boon to me to have a nice gig bag or better yet a proper case. the neck is bound and there are no sharp ends sticking out. the neck is a chunky C shape not overly so but certainly not a wizard neck. // 9
Reliability & Durability: I think this will stand up to most normal playing the hardware is durable. With a set neck it is not as bulletproof as a tele. It does not have a reinforced headstock joint like some guitars have. I take care of my gear so it is not a problem. Time will tell how it lasts as far as how the chrome lasts on the knobs and bridge. For my use which is recording and playing at home it is great. Gigging I would bring a backup because you have to have a backup but I think ti will be fine never broke a string or anything else on it yet. // 8
Overall Impression: Beautiful looking guitar that really nails a lot of tones I was unable to get before. It sounds in between Gibson and Fender tones clear full bodied bright detailed tone. I find it had to believe that I got a guitar that plays looks and sounds so good for such little cash.
I play for the most part older style progressive rock in the vein of Yes and Pink Floyd. It covers the sound quite good back off on the tone a bit for a more Gibson sound. The bridge had a cool sort of twang and can work with the sort of slap echo you use for Pink Floyd. But the tone works for fingerstyle electric like Chet Atkins and for four on the floor had rock like The Cult or AC/DC. // 10