Price paid: $ 225
Purchased from: www.DrNo-Effects.com
Sound — 9
The tone control adds another element to the Kafuzz!!'s sound possibilities. With the tone all the way toward bass, and with an amp cranked, you can feel a heaviness pounding against your chest. Turn up the treble and the fuzz cleans up and cuts through better, yet remains gravelly and warm. You can sense the texture of that gritty fuzz as well as you can hear it, giving your tone that extra dimension.
I was not surprised when I heard a thick tone with this pedal when using guitars with humbuckers, but the pedal adds surprising thickness even to single-coil pickups. In fact, the sound is so thick that it sounds as though you have added some type of doubler or harmonizer to your guitar. Compared to other fuzz pedals, this is the thickest I have experienced. Other pedals have different "grain" characteristics, but this one has a huge bottom end and enough fullness to satisfy Tony Iommi.
When playing power chords, it's difficult not to get a surge of confidence with the Kafuzz!!, but it sounds silky and classic with lead guitar as well. When soloing, the tonal characteristics send you back to those early hard rock and metal sounds that were common with the psychedelic era, and you can hear why Hendrix, Cream and many others opted for a fuzz box within their arsenal.
Overall Impression — 9
This is not a typical fuzz, but a European hand-made box with a high-end circuit board and silicon transistors to yield a higher gain and brighter sound. The Kafuzz!! has an amazing low end that is reminiscent of the older metal bands like Black Sabbath it's not an over-the-top "metal pedal", but classic in its deliverance and attributes. The low end is there, but it is a smooth fuzz that still maintains a nice fatness and quality distortion that refuses to muddy up a guitar's tone. It puts the guitar player up front in the mix without being overwhelming or too blatant.
And as raunchy as fuzz can be, there's a haunting, hypnotizing and dreamlike quality to such an effect. And with the vintage, yet superior tone capabilities of the Kafuzz!!, this pedal is destined to become a modern classic.
I am happy with the sound, and use it regularly without an adapter (which must be purchased separately). My only qualm is that you need to unscrew four screws to gain access to the inside and the 9V battery. I can understand this requirement since it is a small pedal (won't take up much room on the pedalboard) and a battery trapdoor access was not possible.
Reliability & Durability — 10
DrNo-Effect's hand-made pedals are very solid inside and out. There are no loose wires or parts inside, and the outside casing is very heavy metal (and each pedal is hand numbered, with my Kafuzz!! being #34150). The LED has a protective metal ring, the knobs a very heavy plastic, and the foot Switch is heavy built and produces a solid "click".
Ease of Use — 9
A fuzz effect or "fuzz box" is nothing more than a set of electronics that alters an audio signal until it is nearly a square wave, and while adding complex overtones by way of a frequency multiplier (an electronic circuit that generates an output signal with a frequency that is a harmonic of its input frequency). As simple as this seems in today's technology, it was revolutionary when the American pedal steel guitarist Orville "Red" Rhodes (1930-1995) fell upon the sound by accident when a faulty recording console preamplifier circuit produced a whacky fuzzy sound from Grady Martin's guitar during the recording of Marty Robbins' 1961 song "Don't Worry". Being the electronics wiz that he was, Rhodes developed the first fuzz box based on the console's problem, which really wasn't a problem since Rhodes recognized the potential with such an usual tone. Musicians, including The Ventures, began inquiring about the "new" sound and Rhodes offered a fuzz box he made to the group, which they used to record "2000 Pound Bee" in 1962.
But it was in 1965, when Keith Richards used a Maestro Fuzz-Tone to record "(I Can't Get No) Satisfaction" that the distinctive fuzz sound boosted fuzz pedal sales to the point of no return. During the 1960s several more groups and musicians used such devices, but it was Hendrix who set the standard, sometimes having 3-4 in a chain for that heavy thick fuzz sound for which he became known.
I have a love-hate relationship with fuzz pedals because I found it difficult to locate one that sounds warm enough, yet clean so that all the notes remain distinctive. Many pedals give enough fuzzzzzz, but without the warmth it does not sound full-bodied. Conversely, several fuzzes I have tried lack that warmth; they almost sound metallic in nature and somewhat thin. Then recently I heard a sound clip of DrNo-Effects' Kafuzz!!
Very easy to use, you are dealing with a knob that controls the amount of fuzz, a tone knob for more high or low end, and a volume knob (which allows you to adjust the output while avoiding increased noise, which is typically with fuzz and distortion pedals).
Even with the fuzz pot on the lowest level, its character kicks in right away fuzz from the get-go. And as you turn up the fuzz pot, the grind increases, but it's also like adding a bass booster at the same time, producing a throaty growl that makes any guitar sound more full and in command.